Associate Professor
Chair in Urdu Language and Culture
Undergraduate Program Director
I am the Chair in Urdu Language and Culture and an Associate Professor at the Institute of Islamic Studies. I work on South Asian literatures, including literature in Urdu-Hindi, Persian, Punjabi, and Arabic. I teach courses on Sufism, the cultural history of South Asia, marvellous tales in the Islamicate world, Urdu poetry, and the history and cultures of the South Asian and Muslim diaspora, particularly in Canada.
My first book, The Broken Spell: Indian Storytelling and the Romance Genre in Persian and Urdu (), is about the Islamicate romance (qissah/dastan), its form, performance, and epistemological underpinnings. My next book, provisionally entitled The Generous Infidel, will deal with ethics, exemplarity, generosity, and gift theory; and gender performance and heteronormativity in the qissahs, films, plays, and comic-book representations of the pre-Islamic hero Hatim Ta'i.
I maintain the Noon Meem Rashed Archive (), an extensive collection of the letters, poetry drafts, photographs and life records of "Noon Meem" Rashed (Nazri Muhammad Rashed, 1910-1975), one of the most important Urdu poets of the 20th century, and a pioneer of Urdu modernist literature. Rashed's papers and personal effects were donated to the Institute in 2013 by his daughter, Yasmin Rashed Hassan.
I received my PhD at Columbia University in 2013, where my supervisor was the Urdu scholar Prof. Frances Pritchett. I am 苹果淫院鈥檚 second holder of the Urdu Chair, which was established in 1986 by the Governments of Canada and Pakistan, and 苹果淫院. The holder of the Chair is responsible for teaching Urdu language courses, and performing research in the history and literature of the Urdu-speaking peoples of South Asia, and other areas, including Canada.
Research Interests
Urdu-Hindi literature; Punjabi, Indo-Persian, and Braj Bhasha literatures; Cultural history and historiography of South Asia, Sufism.
Current Projects
My 2019 monograph is entitled The Broken Spell: Indian Storytelling and the Romance Genre in Persian and Urdu (). This book provides a history of Persian and Urdu storytelling (qissah-khwani or dastan-go鈥檌) from the 15th to the 20th century. It examines how the marvellous romance (qissah/dastan) came by the end of the nineteenth century to be regarded as a backward genre, unworthy of serious attention, in contrast to the novel, which was understood to hew more closely to the new ideals of empirical and rational verisimilitude.
My new projects are concerned with ethical exemplarity, generosity, and the gift, in the Islamicate romance of Hatim Ta鈥檌; gender performance and heteronormativity; and patronage, praise, and Sikh, Muslim and Hindu relations at the court of the Punjabi ruler Ranjit Singh. Consonant with the terms of the Chair in Urdu Language and Culture that I hold, I am interested in the history and cultures of the South Asian and Muslim diaspora, particularly in Canada.
More information on my research is available here:
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Representative Publications
Publications & Presentations
Representative Publications
The Broken Spell: Indian Storytellers and the Romance Genre in Persian and Urdu. Detroit: Wayne State University Press, 2019.
鈥淲hat Iranian Storytellers Were Worth in Mughal India.鈥� Comparative Studies of South Asia, Africa, and the Middle East. Special section on 鈥淐irculation and Language: Iranians in Early Modern South Asia.鈥� Ed. Usman Hamid and Pasha M. Khan. 37.3 (2017):570-587.
"鈥楢bd al-Nab墨 Fak蹋hr al-Zam膩n墨 and the Courtly Storytellers of Mughal India." In Urdu and Indo-Persian Thought, Poetics, and Belles Lettres. Ed. Alireza Korangy. Leiden: Brill, 2017. 23-72.
"A Handbook for Storytellers: The Tir膩z al-ak蹋hb膩r and the Qis蹋s蹋ah Genre." Tellings and Texts. Ed. Francesca Orsini and Katherine Schofield. Cambridge: Open Book, 2015. 185-207.
鈥淢arvellous Histories: Reading the Sha虅hna虅mah in India." Indian Economic and Social History Review. 49.4 (2012): 527-56.
鈥淔rom The Lament for Delhi.鈥� Trans. and introduction to selected poems from Fugha虅n-i Dihli虅. In Nationalism in the Vernacular: Hindi, Urdu, and the Literature of Indian Freedom. Ed. Shobna Nijhawan. Delhi: Permanent Black. 2009. 88-92.
鈥淭he Progressive Graveyard.鈥� Trans. and Introduction to 鈥淭araqq墨-y膩fta qabrist膩n鈥� by Sa鈥樐乨at Hasan Manto. In Nationalism in the Vernacular: Hindi, Urdu, and the Literature of Indian Freedom. Ed. Shobna Nijhawan. Delhi: Permanent Black. 2009. 224-232.
鈥淣othing but Animals: The Hierarchy of Creatures in the Ringstones of Wisdom.鈥� Journal of the Muhyiddin Ibn 鈥楢rabi Society. 43 (2008): 21-50.
Selected Presentations
鈥淚slamicate Praise for Ranjit Singh: Convention and Patronage.鈥� Conference on Encounters in Premodern South Asia at the University of Toronto. Presenter. (2019, April 13).
鈥淕aining a Name for Generosity: Ethics and Exemplarity in the Tales of Hatim Ta鈥檌.鈥� Invited talk. South Asia Seminar. University of Chicago, Chicago, IL. (2018, February 8).
鈥淯rdu Storytelling up to Mir Baqir Ali: The Limits of Prestige.鈥� Preconference on How (Not) to Write the History of Urdu Literature at the Annual Conference on South Asia, Madison, WI. Panelist. (2017, October 26).
鈥淩eason and Report: The Urdu Histories of the Enchantment of Bakawali, 1876-1895.鈥� Invited talk. Council on Middle East Studies of Yale University. Yale University, New Haven, CT. (2017, January 25).
鈥淭he Shahnamah in India, between History and Romance.鈥� Invited talk. Yale Iran Colloquium, Yale University, New Haven, CT. (2015, February 2).
"Dastans and Disenchantment: The Storyteller Mir Baqir 鈥楢li of Delhi and the Romance of Amir Hamzah." Panel on Wonders of the World: Duality and Dichotomy in the Enchanted World of Epic Storytelling at the Biennial Conference on Iranian Studies, Montreal. Panel Organizer and Panelist. (2014, August 9).
鈥淲hat Iranian Storytellers Were Worth in Early Mughal India.鈥� Invited talk. Foundation for Iranian Studies, University of Toronto, Toronto. (2014, October 24).
鈥淭he Urdu Storytelling Craft: The Case of Mir Baqir 鈥楢li.鈥� Invited talk. Centre for South Asian Civilizations, University of Toronto, Toronto. (2014, October 23).
鈥淓nchanted India: Wondering Communities and the Romance Genre.鈥� Panel on Communities of Wonder, Communities of Dread. Workshop on Feeling for the Community at the Max Planck Institute for Human Development, Berlin. (2014, June 28).
"Gul-i Bakawali: Recovering the History of a Romance in Colonial India." Panel on Strangeness in India and China at the Association for Asian Studies Annual Meeting, Philadelphia. (2014, March 30).
"The 'Last Storyteller of Delhi': Mir Baqir 鈥楢li Dastango." Invited talk. Muslim Societies in South Asia Seminar Series, South Asia Institute & Prince Alwaleed Bin Talal Islamic Studies Program, Harvard University, Cambridge, MA. (2013, November 15).
"The True Story of the Bakawali Rose." Panel on More "Marvelous Encounters": Studies of Urdu Prose in Honor of Professor Frances Pritchett at the Annual Conference on South Asia, Madison, WI. (2013, October 18).
"Lying Tales: History and Romance in Urdu and Indo-Persian Literature." Invited talk. Centre for the Study of Islam, Carleton University, Ottawa. (2013, March 22).
鈥淎 Punjabi Sufi Poet in Ranji虅t Singh鈥檚 Court: Maulwi虅 Ah蹋mad Ya虅r and the Tale of H蹋a虅tim T踏a虅鈥檌虅.鈥� Panel on Punjabi Sufi Poetry and Performance at the Association for Asian Studies Annual Meeting, Honolulu. (2011, April 3).
鈥淢arvellous Histories: Between Qissa and Tarikh in Late Mughal India.鈥� Panel on Fractured Genres: The Afterlives of Medieval Indo-Persian Histories at the Annual Conference on South Asia, Madison, WI. (2010, October 15).
鈥淎 Manual for Storytellers: 鈥楢bd al-Nabi虅 Fak蹋hr al-Zama虅ni虅鈥檚 Tira虅z al-ak蹋hba虅r.鈥� Tellings, Not Texts Conference. School of Oriental and African Studies, London, UK. (2009, June 9).
鈥淨issa and Romance: A Genre Equation Revisited.鈥� Panel on Genre in the Persianate Literature of South Asia at the Association for Asian Studies Annual Meeting, Chicago. (2009, March 28).
鈥淕iving Flesh: Animals in the Persian/Urdu Qissa-i Hatim Tai and Its Sanskrit Forebears.鈥� Panel on Encounters between Early Modern Sanskrit and Persian Cultures at the Biennial Conference on Iranian Studies, Toronto. (2008, August 1).
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Teaching
Courses that I teach regularly include the following. Students are welcome to email me about their eligibility and to enroll, or about the availability of courses in a given year. See below for sample posters.
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ISLA-330 Islamic Mysticism: Sufism
ISLA-488 Tales of Wonder in the Islamic World
ISLA 421 Islamic Culture in the Indian Subcontinent
ISLA-551 Introductory Urdu-Hindi
ISLA-552 Intermediate Urdu-Hindi
ISLA-555 Urdu Poetry
