苹果淫院

听We鈥檙e excited to invite you to the first edition of this year鈥檚 AHCS Student Speaker Series, featuring Deborah Galante, a 6th-year PhD student of art history at 苹果淫院. Deborah鈥檚 talk is entitled 鈥淕ino Boccasile: Art, Propaganda, and Racism in Fascist Italy: 1936 鈥� 1944.鈥� Please join us on Thursday, November 26th at 4PM EST (on Zoom) for a great presentation and, afterwards, a Q&A period鈥撯�搘e look forward to your participation!

Please email caitlin.loney [at] mcgill.ca for the Zoom link.

GINO BOCCASILE: ART, PROPAGANDA AND RACISM IN FASCIST ITALY: 1936 鈥� 1944
This paper analyses two posters by Italian graphic artist Gino Boccasile during the Fascist dictatorship in Italy from 1922 until 1945. Boccasile, a talented illustrator and fervent fascist, worked in publicity since the start of his career, gradually ascending to become the main graphic designer for the Italian regime, creating propagandist billboards supporting both Fascism and Nazism and demonizing enemies such as the Allies or Russian Communists. I suggest these two billboards 鈥� the first, advertising a popular Italian liquor, and the second, an alarmist warning directed to Italian men during the Allied invasion in Italy throughout the Second World War 鈥� clearly demonstrate Fascism鈥檚 xenophobic and sexist ideology. Boccasile鈥檚 work reveals a deeply consolidated white supremacist and male-centric mentality in Fascist Italy. Indeed, in 1938, racial laws were promulgated along with the publication of La Difesa della Razza (The Defense of the Race), a magazine promoting the idea of 鈥渢rue鈥� Italians as Aryan, thus racially 鈥渟uperior." To conclude, by discussing Fascism鈥檚 corrosive ideology through an art historical lens, I wish to point out visual arts鈥� significant role during an infamous period of Italian history.

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