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Note: This is the 2019–2020 eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or .
Program Requirements
Applicants to the Performance program are expected to have a background in Music Theory equivalent to the B.Mus. in Performance. Applicants found to be deficient in their background preparation may be required to take certain additional music theory undergraduate courses.
The following program prerequisites may be assigned as additional required courses based on transcript review:
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MUPD 560 Introduction to Research Methods in Music (1 credit)
Overview
Music Professional Development : Introduction to music research, including print and online tools for finding printed and recorded music and research on music; appropriate citation of sources; writing grant proposals, program/liner notes, and reviews.
Terms: Fall 2019
Instructors: Sarid, Shulamit; Willis, Laurence; Noble, Jason (Fall)
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MUPG 272D1 Continuo (2 credits)
Overview
Performance : An historically-oriented study of the principles of figured-bass. The student will realize at sight elementary bass patterns. Standard idioms from historical treatises will be introduced.
Terms: Fall 2019
Instructors: Bergeron, Sylvain; Knox, Hank; Nadler, Rona Miriam (Fall)
2 hours
Prerequisites: MUTH 150 and permission of instructor.
Students must register for both MUPG 272D1 and MUPG 272D2.
No credit will be given for this course unless both MUPG 272D1 and MUPG 272D2 are successfully completed in consecutive terms
Enrolment limited to 6.
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MUPG 272D2 Continuo (2 credits)
Overview
Performance : See MUPG 272D1 for course description.
Terms: Winter 2020
Instructors: Knox, Hank; Nadler, Rona Miriam; Bergeron, Sylvain (Winter)
Prerequisite: MUPG 272D1
No credit will be given for this course unless both MUPG 272D1 and MUPG 272D2 are successfully completed in consecutive terms
2 hours
Enrolment limited to 6.
Thesis Performance (27 credits)
18 credits:
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MUIN 620 Performance Tutorial 1 (3 credits)
Overview
Practical Instrument : Individual instrumental, vocal, conducting, collaborative piano or operatic tutorial. Technical and interpretive development, preparation of thesis performance projects.
Terms: Fall 2019, Winter 2020
Instructors: Mdivani, Marina; Bergeron, Sylvain; Hashimoto, Kyoko; Poletaev, Ilya; Christie, Carolyn; Levesque, Stephane; Roy, Andre J; Yazdanfar, Ali; Algie, Stephen; Kolomyjec, Joanne; Popescu, Maria; Beaudry, Pierre; Eriksson, Erik; Hauser, Rudolf-Alexius; Aldrich, Simon; Haimovitz, Matt; Merkelo, Paul A; McMahon, Michael; Swartz, Jennifer; Leclair, Jacqueline; Dolin, Elizabeth; Baskin, Theodore; Box, James; Chappell, Eric; Dyachkov, Yegor; Robinson, Brian; Freeman, Peter; Strauss, Axel; Manker, Brian; Plouffe, Helene; Napper, Susan; Weman Eriksson, Lena; Cazes, Alain; Knox, Hank; Richer, Patrice; Johnson, Alexander David; Lemelin, Stéphane; Labelle, Dominique; Devuyst, Russell; Laimon, Sara; Mallette, Marcelle; Normand, Jean-Francois; Stoelzel, Richard; Ducharme, Jérôme; Wan, Andrew; Cope, Todd; Vallée, Jean-Sébastien; Desgagne, Alain; Read, Alexander; Cote, Nadia; Howle, Mark Austin; Lupien, Denise; Melancon, Violaine; Smith, Tracy; Mac Master, John; Brault, Olivier; Watson, Nathaniel; Gavrilova, Julia; Jennejohn, Matthew Dixon; Marandola, Fabrice; Dobby, Timothy; Cho, Jinjoo; Brouwer, Albert G; Mangrum, Martin D; Lane, Christian; Polegato, Brett; Gaudreault, Jean; Cowan, Steven; Hendrickson, Anna; Soderstrom, Elin; Tremblay, Pierre-Antoine (Fall) Beaudry, Pierre; Mdivani, Marina; Christie, Carolyn; Leclair, Marie- (Winter)
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MUIN 621 Performance Tutorial 2 (3 credits)
Overview
Practical Instrument : Additional individual instrumental, vocal, conducting, collaborative piano or operatic tutorial according to area of performing specialization.
Terms: Fall 2019, Winter 2020
Instructors: Hashimoto, Kyoko; Chappell, Eric; Roy, Andre J; Strauss, Axel; Kolomyjec, Joanne; Levesque, Stephane; Bergeron, Sylvain; Leclair, Marie- (Fall) Mdivani, Marina; Bergeron, Sylvain; Hashimoto, Kyoko; Poletaev, Ilya; Christie, Carolyn; Levesque, Stephane; Roy, Andre J; Yazdanfar, Ali; Algie, Stephen; Kolomyjec, Joanne; Popescu, Maria; Beaudry, Pierre; Eriksson, Erik; Hauser, Rudolf-Alexius; Aldrich, Simon; Haimovitz, Matt; Merkelo, Paul A; McMahon, Michael; Swartz, Jennifer; Leclair, Jacqueline; Dolin, Elizabeth; Baskin, Theodore; Box, James; Chappell, Eric; Dyachkov, Yegor; Robinson, Brian; Freeman, Peter; Strauss, Axel; Manker, Brian; Plouffe, Helene; Napper, Susan; Weman Eriksson, Lena; Cazes, Alain; Knox, Hank; Richer, Patrice; Johnson, Alexander David; Lemelin, Stéphane; Labelle, Dominique; Devuyst, Russell; Mallette, Marcelle; Moye, Felicia; Normand, Jean-Francois; Laimon, Sara; Stoelzel, Richard; Ducharme, Jérôme; Wan, Andrew; Cope, Todd; Vallée, Jean-Sébastien; Desgagne, Alain; Read, Alexander; Cote, Nadia; Howle, Mark Austin; Lupien, Denise; Melancon, Violaine; Smith, Tracy; Mac Master, John; Brault, Olivier; Watson, Nathaniel; Gavrilova, Julia; Jennejohn, Matthew Dixon; Marandola, Fabrice; Dobby, Timothy; Cho, Jinjoo; Hargreaves, Stephen; Brouwer, Albert G; Mangrum, Martin D; Lane, Christian; Polegato, Brett; Gaudreault, Jean; Hendrickson, Anna; Soderstrom, Elin; Tremblay, Pierre-Antoine; Duncan, Tyler (Winter)
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MUIN 622 Performance Tutorial 3 (3 credits) *
Overview
Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.
Terms: Fall 2019, Winter 2020
Instructors: Box, James; Bergeron, Sylvain; Plouffe, Helene; Eriksson, Erik; Hashimoto, Kyoko; Mdivani, Marina; Poletaev, Ilya; Popescu, Maria; Kolomyjec, Joanne; Algie, Stephen; Levesque, Stephane; Aldrich, Simon; Christie, Carolyn; Roy, Andre J; Haimovitz, Matt; Yazdanfar, Ali; Merkelo, Paul A; Leclair, Jacqueline; Robinson, Brian; Baskin, Theodore; Bolduc, Remi; Dyachkov, Yegor; Swartz, Jennifer; Knox, Hank; Napper, Susan; Manker, Brian; Strauss, Axel; Freeman, Peter; Labelle, Dominique; Hauser, Rudolf-Alexius; Cazes, Alain; Dolin, Elizabeth; Johnson, Alexander David; Richer, Patrice; Lemelin, Stéphane; McMahon, Michael; Normand, Jean-Francois; Devuyst, Russell; Ducharme, Jérôme; Mallette, Marcelle; Stoelzel, Richard; Vallée, Jean-Sébastien; Melancon, Violaine; Read, Alexander; Cope, Todd; Wan, Andrew; Brault, Olivier; Gavrilova, Julia; Lupien, Denise; Smith, Tracy; Mac Master, John; Watson, Nathaniel; Desgagne, Alain; Lane, Christian; Laimon, Sara; Cote, Nadia; Cho, Jinjoo; Mangrum, Martin D; Marandola, Fabrice; Jennejohn, Matthew Dixon; Polegato, Brett; G'Froerer, Joanna; Hollenbeck, John (Fall) Hashimoto, Kyoko; Poletaev, Ilya; Hauser, Rudolf-Alexius; Roy, Andre J; Mdivani, Marina; Merkelo, Paul A; Bolduc, Remi; Chappell, Eric; Strauss, Axel; Kolomyjec, Joanne; Knox, Hank; Christie, Carolyn; Stoelzel, Richard; Levesque, Stephane; Bergeron, Sylvain; Haimovitz, Matt; Leclair, Marie-; Laimon, Sara; Cowan, Steven; Marandola, Fabrice; Brault, Olivier; Yazdanfar, Ali; Smith, Tracy; Ducharme, Jérôme; Johnson, Alexander David; Labelle, Dominique; Algie, Stephen; Mac Master, John; Cope, Todd; Leclair, Jacqueline; Vallée, Jean-Sébastien; Wan, Andrew; Popescu, Maria; Dolin, Elizabeth; Manker, Brian; Cote, Nadia; Jennejohn, Matthew Dixon; Lemelin, Stéphane; Polegato, Brett; Aldrich, Simon; Baskin, Theodore; G'Froerer, Joanna; Hollenbeck, John (Winter)
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MUIN 622D1 Performance Tutorial 3 (1.5 credits) *
Overview
Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.
Terms: Fall 2019
Instructors: Poletaev, Ilya; Johnson, Alexander David; Kolomyjec, Joanne; Labelle, Dominique; Algie, Stephen; Mac Master, John; Cope, Todd; Leclair, Jacqueline; Levesque, Stephane; Vallée, Jean-Sébastien; Marandola, Fabrice; Wan, Andrew; Popescu, Maria; Dolin, Elizabeth; Manker, Brian; Cote, Nadia; Mdivani, Marina; Jennejohn, Matthew Dixon; Lemelin, Stéphane; Ducharme, Jérôme; Polegato, Brett; Aldrich, Simon; Baskin, Theodore; Christie, Carolyn; Brault, Olivier; G'Froerer, Joanna; Knox, Hank; Hollenbeck, John (Fall)
Students must register for both MUIN 622D1 and MUIN 622D2
No credit will be given for this course unless both MUIN 622D1 and MUIN 622D2 are successfully completed in consecutive terms
MUIN 622D1 and MUIN 622D2 together are equivalent to MUIN 622
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MUIN 622D2 Performance Tutorial 3 (1.5 credits) *
Overview
Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.
Terms: Winter 2020
Instructors: Poletaev, Ilya; Johnson, Alexander David; Kolomyjec, Joanne; Labelle, Dominique; Algie, Stephen; Mac Master, John; Cope, Todd; Leclair, Jacqueline; Levesque, Stephane; Vallée, Jean-Sébastien; Marandola, Fabrice; Wan, Andrew; Popescu, Maria; Dolin, Elizabeth; Manker, Brian; Cote, Nadia; Mdivani, Marina; Jennejohn, Matthew Dixon; Lemelin, Stéphane; Ducharme, Jérôme; Polegato, Brett; Aldrich, Simon; Baskin, Theodore; Christie, Carolyn; Brault, Olivier; G'Froerer, Joanna; Knox, Hank; Hollenbeck, John (Winter)
Prerequisite: MUIN 622D1
No credit will be given for this course unless both MUIN 622D1 and MUIN 622D2 are successfully completed in consecutive terms
MUIN 622D1 and MUIN 622D2 together are equivalent to MUIN 622
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MUPG 600 Recital Project 1 (9 credits)
Overview
Performance : Solo recital, collaborative piano recital, conducting recital or principal Opera Role (by audition) with program notes.
Terms: Fall 2019, Winter 2020
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Solo recital (60-70 minutes), collaborative piano recital (60-70 minutes), conducting recital (30-35 minutes) or Principal Opera Role as defined by the American Guild of Musical Artists' website (), Lead, Schedule C
* Students can take MUIN 622 or MUIN 622D1 and MUIN 622D2.
9 credits from:
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MUPG 601 Recital Project 2 (9 credits)
Overview
Performance : Solo recital, collaborative piano recital, conducting recital or principal opera role (by audition) with program notes. May include chamber music providing none of the repertoire was prepared in a chamber ensemble taken for credit.
Terms: Fall 2019, Winter 2020
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Solo recital (60-70 minutes), collaborative piano recital (60-70 minutes), conducting recital (35-40 minutes) or principal opera role (by audition) as defined by the American Guild of Musical Artists' website (), Lead, Schedule C
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MUPG 602 Recital Project 3 (6 credits)
Overview
Performance : Recital, conducting recital or featured opera role (by audition) with program notes.
Terms: Fall 2019, Winter 2020
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Recital (30-40 minutes), conducting recital (20-25 minutes) or featured opera role (by audition) as defined by the American Guild of Musical Artists' website (), Featured, Schedule C
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MUPG 603 Recital Project 4 (3 credits)
Overview
Performance : Concerto performance with orchestra (for the concerto competition or other competition in Montreal) or supporting opera role (by audition) with program notes.
Terms: Fall 2019, Winter 2020
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Supporting Opera Role as defined by the American Musical Artists' website (), Supporting, Schedule C
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MUPG 605 Recording Project (3 credits)
Overview
Performance : Recording project with liner notes.
Terms: Fall 2019, Winter 2020
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Limited enrolment; admissions by proposal only and with approval of the Department; additional fees apply.
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MUPG 606 Interdisciplinary Project 1 (3 credits)
Overview
Performance : Research-creation involving collaboration between different disciplines resulting in a new work, interpretation or contribution to knowledge presented in public (i.e., performer-composer commission; performer and actor/dancer collaboration, subject in CIRMMT research study, etc) with program notes as relevant.
Terms: Fall 2019, Winter 2020
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Performer-composer composition of 5-10 minutes. By proposal only and with approval of the Department.
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MUPG 607 Interdisciplinary Project 2 (6 credits)
Overview
Performance : Research-creation involving collaboration between different disciplines resulting in a new work, interpretation or contribution to knowledge presented in public (i.e., performer-composer commission); performance and actor/dancer collaboration, participant as co-researcher in CIRMMT study including participation in analysis of data, etc.) with program notes as relevant.
Terms: Fall 2019, Winter 2020
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Performer-composer commission of 10-20 minutes. By proposal only and approval of the Department.
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MUPG 676 Special Project in Church Music (9 credits)
Overview
Performance : Individualized project involving performance in church setting to include both organ performance and choral direction.
Terms: This course is not scheduled for the 2019-2020 academic year.
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Required Course
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MUGS 605 Graduate Performance Colloquium
Overview
Graduate Faculty Music Courses : Participation in three professional development workshops or research colloquium approved by the department on topics such as performance pedagogy, academic teaching, music production, copyright, business, grantsmanship, etc. Students participate in each semester of residency until requirements have been met.
Terms: Fall 2019, Winter 2020
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Complementary Seminars (9 credits)
3 credits from the following:
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MUPP 690 Performance Practice Seminar 1 (3 credits)
Overview
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2019, Winter 2020
Instructors: Klorman, Edward (Fall) Foster, Adrian (Winter)
3 hours
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MUPP 691 Performance Practice Seminar 2 (3 credits)
Overview
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2019, Winter 2020
Instructors: Strauss, Anja (Fall) Smith, Tracy (Winter)
3 hours
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MUPP 692 Performance Practice Seminar 3 (3 credits)
Overview
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2019, Winter 2020
Instructors: Weman Eriksson, Lena (Fall) Frey, Elinor (Winter)
3 hours
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MUPP 693 Performance Practice Seminar 4 (3 credits)
Overview
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2019
Instructors: Chiasson, Rachelle A M (Fall)
3 hours
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MUPP 694 Performance Practice Seminar 5 (3 credits)
Overview
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2019
Instructors: Marandola, Fabrice (Fall)
3 hours
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MUPP 695 Performance Practice Seminar 6 (3 credits)
Overview
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: This course is not scheduled for the 2019-2020 academic year.
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
3 hours
One approved graduate 3-credit seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, or MUTH.
3 credits from the following:
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MUHL 591D1 Paleography (1.5 credits)
Overview
Music History and Literature : The theory and practice of musical transcription for the period 1100 to 1600. Black modal notation, Franconian notation, French and Italian Ars Nova notation, Mannerism, white mensural notation, proportions, and lute and keyboard tablatures will be studied.
Terms: This course is not scheduled for the 2019-2020 academic year.
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
1.5 hours
Prerequisites: MUHL 286
Corequisites: MUTH 250 or MUCO 241, AND MUSP 241 or MUJZ 214
Normally alternates with MUHL 529
Students must register for both MUHL 591D1 and MUHL 591D2
No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms
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MUHL 591D2 Paleography (1.5 credits)
Overview
Music History and Literature : See MUHL 591D1 for course description.
Terms: This course is not scheduled for the 2019-2020 academic year.
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Prerequisite: MUHL 591D1
No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms
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MUTH 602 Keyboard Modal Counterpoint (3 credits)
Overview
Music Theory and Analysis : Advanced study of polyphonic techniques of the renaissance period through written exercises, in-depth written case study, and improvised practice at the keyboard.
Terms: This course is not scheduled for the 2019-2020 academic year.
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Prerequisite: MUTH 202 or equivalent
Restrictions: Open to graduate keyboardists in early music and organ or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.
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MUTH 604 Keyboard Tonal Counterpoint (3 credits)
Overview
Music Theory and Analysis : Advanced study of polyphonic techniques of tonal music through written exercises, in-depth written case study, and improvised practice at the keyboard.
Terms: This course is not scheduled for the 2019-2020 academic year.
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Prerequisite: MUTH 204 or equivalent
Restrictions: Open to graduate keyboardists only or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.
or one graduate 3-credit seminar approved by the Department.
Complementary Performance (9 credits)
9 credits from the following:
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MUEN 540 Chamber Music Project 1 (0.5 credits)
Overview
Ensemble : Chamber music ensemble for various instruments.
Terms: Winter 2020
Instructors: Darroch, Hannah (Winter)
Requires departmental approval
Restrictions: Open to undergraduate and graduate Performance students
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MUEN 541 Chamber Music Project 2 (0.5 credits)
Overview
Ensemble : Chamber music ensemble for various instruments.
Terms: This course is not scheduled for the 2019-2020 academic year.
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Requires departmental approval
Restrictions: Open to undergraduate and graduate Performance students
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MUEN 560 Chamber Music Ensemble (1 credit) *
Overview
Ensemble : Ensemble for chamber music - various instruments.
Terms: Fall 2019, Winter 2020, Summer 2020
Instructors: Cho, Jinjoo; Devuyst, Russell; Bourgogne, Guillaume; Lupien, Denise; Box, James; Yazdanfar, Ali; Roy, Andre J; Haimovitz, Matt; Gaudreault, Jean; Desgagne, Alain; Johnson, Alexander David; Levesque, Stephane; Aldrich, Simon; Stoelzel, Richard; Baskin, Theodore; Dix, Trevor; Hashimoto, Kyoko; Leclair, Marie-; Darroch, Hannah (Fall) Cho, Jinjoo; Yazdanfar, Ali; Gaudreault, Jean; Mangrum, Martin D; Levesque, Stephane; Leclair, Marie-; Baskin, Theodore; Desgagne, Alain; Aldrich, Simon; Brouwer, Albert G; Haimovitz, Matt; Hashimoto, Kyoko; Lupien, Denise; Strauss, Axel; Klorman, Edward; Robinson, Brian; Choi, Alicia; Cicchillitti, Adam; Devuyst, Russell; Howle, Mark Austin; Dix, Trevor; Stoelzel, Richard; Roy, Andre J (Winter) Cho, Jinjoo (Summer)
Prerequisite(s): Audition.
Restriction(s): For Music students; open to others by permission of the Department.
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MUEN 561 2nd Chamber Music Ensemble (1 credit) *
Overview
Ensemble : Chamber music of the Medieval, Renaissance and Baroque periods.
Terms: Fall 2019, Winter 2020
Instructors: Cho, Jinjoo; Haimovitz, Matt; Roy, Andre J; Swartz, Jennifer; Lupien, Denise; Bourgogne, Guillaume; Baskin, Theodore; Stoelzel, Richard (Fall) Cho, Jinjoo; Haimovitz, Matt; Roy, Andre J; Choi, Alicia; Baskin, Theodore; Dix, Trevor (Winter)
1 hour
Prerequisite: Audition.
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MUEN 569 Tabla Ensemble (1 credit) *
Overview
Ensemble : Performance and practice of the tabla of North India.
Terms: Fall 2019, Winter 2020
Instructors: Mativetsky, Shawn Eliot (Fall) Mativetsky, Shawn Eliot (Winter)
Can be taken more than once.
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MUEN 573 Baroque Orchestra (2 credits) *
Overview
Ensemble : Open to singers and instrumentalists, this ensemble specializes in chamber music primarily of the Baroque era.
Terms: Fall 2019, Winter 2020, Summer 2020
Instructors: Knox, Hank (Fall) Knox, Hank; Bandy, Dorian (Winter) Knox, Hank (Summer)
4 hours
Prerequisites: Audition
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MUEN 580 Early Music Ensemble (1 credit) *
Overview
Ensemble : An ensemble of 4-6 vocalists and instrumentalists which performs music of the Medieval, Renaissance and Baroque periods.
Terms: Fall 2019, Winter 2020
Instructors: Jennejohn, Matthew Dixon; La Rotta, Esteban; Bergeron, Sylvain; Basque, Alexis; Brault, Olivier; Bandy, Dorian; Andriani, Laura; Smith, Tracy (Fall) Bandy, Dorian; Smith, Tracy; Bergeron, Sylvain; Andriani, Laura; Jennejohn, Matthew Dixon; Basque, Alexis; La Rotta, Esteban; Brault, Olivier (Winter)
Prerequisite: Audition. Prerequisite or corequisite for keyboard players: MUPG 272.
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MUEN 593 Choral Ensembles (2 credits) *
Overview
Ensemble : Students enrolling in Choral Ensembles will be assigned to one of the above groups.
Terms: Fall 2019, Winter 2020
Instructors: Vallée, Jean-Sébastien; Simmons, Georgia; Hon, Chun Fung (Fall) Vallée, Jean-Sébastien; Hon, Chun Fung; Simmons, Georgia (Winter)
4 hours
Prerequisite: Audition.
Section 001 Chamber Singers: a group of approximately 24 mixed voices which explores the a cappella repertoire of all periods as well as works with chamber accompaniment.
Section 002 Concert Choir: an ensemble of approximately 60 voices (S.A.T.B.) which performs the repertoire from all periods appropriate to a group of this size.
Section 003 University Chorus: a mixed chorus of approximately 100 which performs a variety of choral material including both traditional and popular selections.
Section 004 Women's Chorale: an ensemble of approximately 40 women stressing the fundamentals of singing and ensemble participation.
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MUEN 594 Contemporary Music Ensemble (2 credits) *
Overview
Ensemble : Ensemble for contemporary music - instruments and voice.
Terms: Fall 2019, Winter 2020
Instructors: Bourgogne, Guillaume (Fall) Bourgogne, Guillaume (Winter)
4 hours
Prerequisite: Audition.
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MUEN 597 Æ»¹ûÒùÔº Symphony Orchestra (2 credits) *
Overview
Ensemble : Ensemble for orchestral instruments.
Terms: Fall 2019, Winter 2020
Instructors: Hauser, Rudolf-Alexius (Fall) Hauser, Rudolf-Alexius (Winter)
6 - 7 hours
Prerequisite: Audition.
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MUHL 591D1 Paleography (1.5 credits) **
Overview
Music History and Literature : The theory and practice of musical transcription for the period 1100 to 1600. Black modal notation, Franconian notation, French and Italian Ars Nova notation, Mannerism, white mensural notation, proportions, and lute and keyboard tablatures will be studied.
Terms: This course is not scheduled for the 2019-2020 academic year.
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
1.5 hours
Prerequisites: MUHL 286
Corequisites: MUTH 250 or MUCO 241, AND MUSP 241 or MUJZ 214
Normally alternates with MUHL 529
Students must register for both MUHL 591D1 and MUHL 591D2
No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms
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MUHL 591D2 Paleography (1.5 credits) **
Overview
Music History and Literature : See MUHL 591D1 for course description.
Terms: This course is not scheduled for the 2019-2020 academic year.
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Prerequisite: MUHL 591D1
No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms
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MUPG 575D1 Liturgical Organ Playing (1.5 credits) *
Overview
Performance : This seminar focuses on the development of skill in the leadership and accompaniment of hymns, the accompaniment of sung psalmody (particularly Anglican and Gregorian), and the conducting of choral music while accompanying at the organ. Additionally, regular instruction in techniques of improvisation will focus in particular upon hymn introductions and free accompaniments.
Terms: This course is not scheduled for the 2019-2020 academic year.
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
1. 1 1/2 hours
2. Students must register for both MUPG 575D1 and MUPG 575D2.
3. No credit will be given for this course unless both MUPG 575D1 and MUPG 575D2 are successfully completed in consecutive terms.
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MUPG 575D2 Liturgical Organ Playing (1.5 credits) *
Overview
Performance : This seminar focuses on the development of skill in the leadership and accompaniment of hymns, the accompaniment of sung psalmody (particularly Anglican and Gregorian), and the conducting of choral music while accompanying at the organ. Additionally, regular instruction in techniques of improvisation will focus in particular upon hymn introductions and free accompaniments.
Terms: This course is not scheduled for the 2019-2020 academic year.
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Prerequisite(s): MUPG 575D1.
1. 1 1/2 hours
2. Students must register for both MUPG 575D1 and MUPG 575D2.
3. No credit will be given for this course unless both MUPG 575D1 and MUPG 575D2 are successfully completed in consecutive terms.
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MUPG 674 Project in Choral Conducting (3 credits)
Overview
Performance : Development of advanced choral conducting techniques and rehearsal skills through application in the field under supervision of master choral conductor or church musician.
Terms: This course is not scheduled for the 2019-2020 academic year.
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
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MUTH 602 Keyboard Modal Counterpoint (3 credits) **
Overview
Music Theory and Analysis : Advanced study of polyphonic techniques of the renaissance period through written exercises, in-depth written case study, and improvised practice at the keyboard.
Terms: This course is not scheduled for the 2019-2020 academic year.
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Prerequisite: MUTH 202 or equivalent
Restrictions: Open to graduate keyboardists in early music and organ or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.
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MUTH 604 Keyboard Tonal Counterpoint (3 credits) **
Overview
Music Theory and Analysis : Advanced study of polyphonic techniques of tonal music through written exercises, in-depth written case study, and improvised practice at the keyboard.
Terms: This course is not scheduled for the 2019-2020 academic year.
Instructors: There are no professors associated with this course for the 2019-2020 academic year.
Prerequisite: MUTH 204 or equivalent
Restrictions: Open to graduate keyboardists only or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.
* May be taken more than once.
** If not taken as a seminar.