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Note: This is the 2017–2018 eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or .
Note: This is the 2017–2018 eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or .
Saxophone, Trumpet, Trombone, Drums, Piano, Guitar, Bass, Voice
The following program prerequisites may be assigned as additional required courses on the basis of transcript review:
Music History and Literature : A study of the history and development of jazz through listening, reading, video viewing, lectures and discussion. The central goals will be to learn how to hear jazz critically and to understand the values, meanings, and sensibilities of jazz as a social practice.
Terms: Winter 2018
Instructors: Brackett, David (Winter)
Jazz Studies : A continuation of MUJZ 341. This course will further emphasize and facilitate the development of a personal and creative compositional style. Jazz aesthetics will be emphasized and explored in greater depth.
Terms: Fall 2017
Instructors: Hollenbeck, John (Fall)
Prerequisite: MUJZ 341
Restriction: Open only to Jazz Performance Majors OR permission of instructor.
Students must register for both MUJZ 440D1 and MUJZ 440D2.
No credit will be given for this course unless both MUJZ 440D1 and MUJZ 440D2 are successfully completed in consecutive terms
1. 2 hours
Jazz Studies : A continuation of MUJZ 341. This course will further emphasize and facilitate the development of a personal and creative compositional style. Jazz aesthetics will be emphasized and explored in greater depth.
Terms: Winter 2018
Instructors: Jensen, Christine (Winter)
Prerequisite: MUJZ 440D1
No credit will be given for this course unless both MUJZ 440D1 and MUJZ 440D2 are successfully completed in consecutive terms
Restriction: Open only to Jazz Performance Majors OR permission of instructor.
1. 2 hours
Jazz Studies : This course introduces advanced concepts in jazz writing by examining scores by historically-important jazz composers/arrangers, as well as contemporary masters. Student writing, including expanded combo, big band, and small group string projects, is geared toward public performance by Æ»¹ûÒùÔº jazz ensembles and combos.
Terms: Fall 2017
Instructors: Sullivan, Joseph Leo (Fall)
2 hours
Prerequisite(s): MUJZ 341
Restriction(s): Open only to Jazz Performance Majors OR permission of instructor.
Students must register for both MUJZ 461D1 and MUJZ 461D2.
No credit will be given for this course unless both MUJZ 461D1 and MUJZ 461D2 are successfully completed in consecutive terms.
Jazz Studies : See MUJZ 461D1 for course description.
Terms: Winter 2018
Instructors: Sullivan, Joseph Leo (Winter)
Prerequisite: MUJZ 461D1
No credit will be given for this course unless both MUJZ 461D1 and MUJZ 461D2 are successfully completed in consecutive terms
Jazz Studies : An in-depth exploration of the performance practice of leading jazz figures, primarily through the study of solo transcriptions. Comparative study of conceptual differences in time feel, ornamentation, tone quality, articulation and harmonic and melodic approach. Detailed study of major rhythm sections and their interaction with soloists.
Terms: Fall 2017
Instructors: Dean, Kevin (Fall)
Practical Instrument : Individual instruction in instrumental performance, jazz composition and arranging and jazz improvisation according to performing specialization.
Terms: Fall 2017, Winter 2018
Instructors: McCann, Christopher; Gauthier, Michael; Bolduc, Remi; Dean, Kevin; Doxas, Dimitrios; Sullivan, Joseph Leo; Walkington, Alec; Hollins, Fraser; Couture, Jocelyn; Lee, Ranee Y; McLean, Allan Robert; White, Andre; Clayton, Greg; Jimenez, Carlos Alberto; Johnston, Jeffrey E H; Lozano, Francisco J; Dahlen, Sienna; Mahar, William V; Bibace, Kenneth; Pilc, Jean-Michel; Amirault, Greg G; Laing, David; Jensen, Christine; Hollenbeck, John; Kennedy, Donald Leyland; Rea, John; Lambert, Michel; Butler, Taurey; LeBlanc, Rémi-Jean; Hove, Erik Anthony (Fall) Johnston, Jeffrey E H; Trottier, Jean-Nicolas; Dean, Kevin; Bibace, Kenneth; McCann, Christopher; Bourassa, Francois; Bourgogne, Guillaume; Doxas, Dimitrios (Winter)
Restriction: Not open to students who have taken MUPG 626
Practical Instrument : Individual instruction in instrumental performance, jazz composition and arranging and jazz improvisation according to performing specialization.
Terms: Fall 2017, Winter 2018
Instructors: Amirault, Greg G; Lambert, Michel (Fall) McCann, Christopher; Gauthier, Michael; Bolduc, Remi; Dean, Kevin; Doxas, Dimitrios; Sullivan, Joseph Leo; Walkington, Alec; Couture, Jocelyn; Lee, Ranee Y; McLean, Allan Robert; White, Andre; Hollins, Fraser; Rager, Joshua; Clayton, Greg; Jimenez, Carlos Alberto; Johnston, Jeffrey E H; Lozano, Francisco J; Jensen, Christine; Dahlen, Sienna; Laing, David; Amirault, Greg G; Bibace, Kenneth; Pilc, Jean-Michel; Trottier, Jean-Nicolas; Hollenbeck, John; Bourassa, Francois; Kennedy, Donald Leyland; Lambert, Michel; LeBlanc, Rémi-Jean; Hove, Erik Anthony (Winter)
Restriction: Not open to students who have taken MUPG 627
Practical Instrument : Individual instruction in instrumental performance, jazz composition and arranging and jazz improvisation according to performing specialization, including work on various aspects of jazz artistry in preparation for recital requirements.
Terms: Fall 2017, Winter 2018
Instructors: Hollins, Fraser; Di Lauro, Ronald; White, Andre; Bolduc, Remi; Sullivan, Joseph Leo; McCann, Christopher; Bibace, Kenneth; Laing, David; Dean, Kevin; Johnston, Jeffrey E H; Walkington, Alec; Hollenbeck, John; Pilc, Jean-Michel; McLean, Allan Robert; Lozano, Francisco J; Bourassa, Francois; Rea, John; Vedady, Adrian; Doxas, Dimitrios (Fall) Hollins, Fraser; Bolduc, Remi; Di Lauro, Ronald; McCann, Christopher; Dean, Kevin; Hollenbeck, John; Lambert, Michel; Trottier, Jean-Nicolas; Pilc, Jean-Michel (Winter)
Restriction: Not open to students who have taken MUPG 628
Jazz Studies : A course designed to prepare students to teach jazz-related subjects at the university and professional level, with emphasis on ensemble direction and the instruction of improvisation, as well as course and curriculum development. Various pedagogical methods, philosophies, rehearsal techniques, and materials will be investigated.
Terms: Winter 2018, Summer 2018
Instructors: Dean, Kevin; White, Andre (Winter)
3 hours
33 credits from one of the following streams:
3 credits from:
Performance : An intensive study of artistry in jazz improvisation. The inprovisation ideas and approaches of various jazz artrists will be studied through transcription, analysis and in performance. The latter will lay the foundation for students to develop their own artistic voices and musical ideas. Approximately one-third of the class will be spent performing, critiquing and mentoring the performances of class members.
Terms: Fall 2017
Instructors: Bolduc, Remi (Fall)
Restriction(s): Open to students in the Jazz Performance option and others with the permission of the instructor.
22 credits from:
Jazz Studies : Analysis and application of a variety of jazz and 20th Century compositional and arranging techniques, including writing for small and medium size jazz ensembles.
Terms: Fall 2017
Instructors: Sullivan, Joseph Leo (Fall)
2 hours
Jazz Studies : Students compose and arrange for a variety of instrumental combinations including large jazz ensembles of ten or more instruments.
Terms: Winter 2018
Instructors: Hollenbeck, John (Winter)
Performance : Thesis recital (Jazz repertoire, including compositions by the student) and programme notes.
Terms: Fall 2017, Winter 2018
Instructors: There are no professors associated with this course for the 2017-2018 academic year.
Performance : The Candidate must submit a professional quality audio and/or video document of his or her performances, with liner notes. The performances must be on the candidate’s primary instrument and be a minimum of 60 minutes and a maximum of 75 minutes in length.
Terms: Fall 2017, Winter 2018
Instructors: There are no professors associated with this course for the 2017-2018 academic year.
Course requirements will vary depending on the program stream (Jazz Performance, Jazz Composition and Arranging and Jazz Orchestra) the candidate is completing. See the Music Graduate website for more details.
3 credits of graduate seminar courses at the 600-level, approved by the Department.
5 credits of ensemble courses, at the 500 level or above, with the prefix MUEN (4 credits must be in jazz related ensembles.)
22 credits from:
Jazz Studies : Analysis and application of a variety of jazz and 20th Century compositional and arranging techniques, including writing for small and medium size jazz ensembles.
Terms: Fall 2017
Instructors: Sullivan, Joseph Leo (Fall)
2 hours
Jazz Studies : Students compose and arrange for a variety of instrumental combinations including large jazz ensembles of ten or more instruments.
Terms: Winter 2018
Instructors: Hollenbeck, John (Winter)
Performance : A 60-75 minute recital presenting a repertoire of either original compositions and arrangements or previously composed jazz literature (depending upon stream), at least half of which must be for a large ensemble. Programme notes must be provided.
Terms: Fall 2017, Winter 2018
Instructors: There are no professors associated with this course for the 2017-2018 academic year.
Restriction: Open to students in the B and C streams of the Jazz Performance option only.
Performance : The Candidate must submit a professional quality audio and/or video document of his or her performances, with liner notes. The performances must be on the candidate’s primary instrument and be a minimum of 60 minutes and a maximum of 75 minutes in length.
Terms: Fall 2017, Winter 2018
Instructors: There are no professors associated with this course for the 2017-2018 academic year.
Course requirements will vary depending on the program stream (Jazz Performance, Jazz Composition and Arranging and Jazz Orchestra) the candidate is completing. See the Music Graduate website for more details.
6 credits of graduate seminar courses, at the 600-level, approved by the Department.
5 credits of ensemble courses, at the 500 level or above, with the prefix MUEN (4 credits must be in jazz related ensembles.)
4 credits from:
Jazz Studies : Analysis and application of a variety of jazz and 20th Century compositional and arranging techniques, including writing for small and medium size jazz ensembles.
Terms: Fall 2017
Instructors: Sullivan, Joseph Leo (Fall)
2 hours
Jazz Studies : Students compose and arrange for a variety of instrumental combinations including large jazz ensembles of ten or more instruments.
Terms: Winter 2018
Instructors: Hollenbeck, John (Winter)
Jazz Studies : Students investigate an approved area of jazz orchestral repertoire, under the supervision of a full-time faculty member.
Terms: Fall 2017
Instructors: There are no professors associated with this course for the 2017-2018 academic year.
Jazz Studies : Jazz repertoire for any ensemble format may be explored.
Terms: Winter 2018
Instructors: There are no professors associated with this course for the 2017-2018 academic year.
Prerequisite: MUJZ 644.
18 credits from:
Performance : Thesis recital (Jazz repertoire, including compositions by the student) and programme notes.
Terms: Fall 2017, Winter 2018
Instructors: There are no professors associated with this course for the 2017-2018 academic year.
Performance : A 60-75 minute recital presenting a repertoire of either original compositions and arrangements or previously composed jazz literature (depending upon stream), at least half of which must be for a large ensemble. Programme notes must be provided.
Terms: Fall 2017, Winter 2018
Instructors: There are no professors associated with this course for the 2017-2018 academic year.
Restriction: Open to students in the B and C streams of the Jazz Performance option only.
3 credits of graduate seminars at the 600 level, approved by the Department.
8 credits of ensemble courses, at the 500 level or above, with the prefix MUEN (4 credits must be in jazz related ensembles). MUPG 572 can be substituted for 1 credit of Jazz ensemble.