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Note: This is the 2014–2015 edition of the eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or click here to jump to the newest eCalendar.
Note: This is the 2014–2015 edition of the eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or click here to jump to the newest eCalendar.
The Bachelor of Music (B.Mus.) - Major Music Education, when offered concurrently with the The Bachelor of Education - Major Music Elementary and Secondary, provides students with the opportunity to obtain a Bachelor of Music degree and a Bachelor of Education degree after the completion of 137 credits, normally five years (170 credits or six years for out-of-province students*). The Concurrent program combines academic studies in music, professional studies, and field experience. The two degrees are awarded during the same convocation period.
* Out-of-province students or those who have not completed Quebec CEGEP, French Baccalaureate, International Baccalaureate, or at least one year of university studies prior to commencing the Concurrent program.
To be admitted to the Concurrent program, students must satisfy the regular admission requirements of the Schulich School of Music and Faculty of Education. Normally, students will be admitted to both components of the Concurrent program simultaneously. Applicants who already hold a Bachelor of Music degree from a North American should apply to the Faculty of Education. Students who have completed 30 or more credits in a Bachelor of Music program, exclusive of the Freshman Year for out-of-province students, should apply for admission to the Concurrent program.
All applications for the Concurrent program are to be made to the Æ»¹ûÒùÔº Office of the Schulich School of Music.
Note:
1. Students major in Music Education may also audition for Jazz Ensemble (MUEN 595) and use this ensemble for credits towards the performance requirement.
2. If Choral and Keyboard Arranging (MUTH 461) is not offered, students may use The Art of Composition (MUCO 230) or Instruments of Orchestra (MUCO 260) as a substitute course. If MUTH 461 is offered, students majoring in Music Education must take this course to fulfill the program requirement.
3. Students major in Music Education in the jazz stream may also take Jazz Arranging 1 (MUJZ 260) instead of Choral and Keyboard Arranging (MUTH 461) with the permission of the Jazz Area Chair. They may also be asked to register for another jazz stream course under the recommendation of the Jazz Area Chair and/or the Music Education Area Chair.
The B.Mus. Major Music Education program in the Schulich School of Music focuses on the development of the prospective music educator as a musician. This is achieved not only through core music history, theory, musicianship, and performance courses but also through different instrumental, vocal, and conducting techniques courses. Laboratory experiences provide an opportunity to develop facility with basic music rehearsing/teaching techniques, with emphasis on the ability to diagnose and correct technical and musical problems. The B.Ed. Music Elementary and Secondary program in the Faculty of Education focuses on the development of the musician as an educator. This is achieved through courses in educational foundations, music pedagogy and pedagogical support, and a practicum component comprised of four field experiences and supporting professional seminars.
Students in the Concurrent B.Mus/B.Ed. program who decide to complete only a Bachelor of Music may transfer at any time into the Bachelor of Music, Faculty Program. Students who wish to complete only the Bachelor of Education Music program have the option of doing so after the successful completion of the first two years of the Concurrent program and MUIN 283 "BMus Concentration Final Examination" or equivalent. They would be required to complete 61 music credits, 6 elective credits, and 55 education credits from the program given below.
The components of the 137-credit Concurrent Bachelor of Music - Major Music Education and Bachelor of Education - Music Elementary and Secondary (excluding the 33-credit Freshman Program) are as follows:
55 professional Education credits
70 Music academic credits
9 music elective credits
3 non-music elective credits
33 credits
33 credits distributed as follows:
4 credits (2 credits per term) Basic Ensemble Training
6 credits of Non-Music Electives
and 23 credits in the following course list:
Students who can demonstrate through auditions and placement tests that they have mastered the material in any of the courses below will be exempt from them and may proceed to more advanced courses. First-year students enrolled in the Bachelor of Music program who have completed the Quebec Diploma of Collegial Studies (Diplôme d'études collégiales) in a Music concentration or equivalent, or students transferring from other universities or colleges, who have successfully completed a course in the history of Western music, will be exempted from the first-year Western Musical Traditions requirement (MUHL 186).
Music History and Literature : A survey of Western music from the Middle Ages to the present. Emphasis on key musical concepts and genres in their historical context and aural recognition of style.
Terms: Fall 2014
Instructors: Kok, Roe-Min (Fall)
3 hours
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2014, Winter 2015
Instructors: Algie, Stephen; Kolomyjec, Joanne; Box, James; Devuyst, Russell; Zirbel, John; Baskin, Theodore; Desgagne, Alain; Forget, Normand; Freeman, Peter; Hutchins, Timothy; Kestenberg, Abe; Mangrum, Martin D; Hashimoto, Kyoko; Amirault, Steve; Clayton, Greg; Bolduc, Remi; Dean, Kevin; Hollins, Fraser; Lee, Ranee Y; Tremblay, Sophie; Lozano, Francisco J; McCann, Christopher; Couture, Jocelyn; Haimovitz, Matt; Manker, Brian; Guimond, Claire; Antonio, Garry M W; Roy, Andre J; Lupien, Denise; Roberts, Richard Allen; Rager, Joshua; Sylvan, Sanford; Kutan, Aline; Strauss, Anja; Popescu, Maria; Harboyan, Patil; Karlicek, Martin; Purdy, Winston; Fewer, Mark; Wan, Andrew; Crowley, Robert; Dix, Trevor; Huang, Yai-Yun; Marandola, Fabrice; Mdivani, Marina; McMahon, Michael; Shuter, Cindy; Poletaev, Ilya; Ducharme, Jérôme; Boudreault-Sevadjian, Therese; Swartz, Jennifer; Yazdanfar, Ali; Dolin, Elizabeth; Lambert, Michel; Christie, Carolyn; Gaudreault, Jean; Derome, Denys; Johnston, Jeffrey E H; Sullivan, Joseph Leo; Doxas, Dimitrios; Gossage, David Mark; Levesque, Stephane; Grott, David; Walkington, Alec; Kinslow, Valerie; Dumouchel, Michael; Mahar, William V; Dyachkov, Yegor; Lambert, Frédéric; Chappell, Eric; Laing, David; Aldrich, Simon; Azar, Andree; Gauthier, Michael; Leclair, Jacqueline; Laimon, Sara; Robinson, Brian; Davidson, Thomas; Di Lauro, Ronald; Feltham, Scott O; Dobby, Timothy; Strauss, Axel; Bourget, Daniele; Gavrilova, Julia; Johnson, Alexander David; Plouffe, Helene; Jimenez, Carlos Alberto; Trottier, Jean-Nicolas; Mallette, Marcelle; Dardykina, Tatiana; Read, Alexander; Lemelin, Stéphane; Moye, Felicia; Labelle, Dominique; Kennedy, Donald Leyland; Merkelo, Paul A; Hillis, Amy; Thompson, Geoffrey (Fall) Bourget, Daniele (Winter)
3 hours
Prerequisite: Admission to the B.Mus. program by audition.
Practical Instrument : Practical examination in clarinet techniques.
Terms: Fall 2014, Winter 2015
Instructors: Mangrum, Martin D (Fall) Marandola, Fabrice; Reimer, Benjamin; Mativetsky, Shawn Eliot; McMahon, Michael; Shuter, Cindy; Mdivani, Marina; Poletaev, Ilya; Ducharme, Jérôme; Boudreault-Sevadjian, Therese; Swartz, Jennifer; Yazdanfar, Ali; Dolin, Elizabeth; Lambert, Michel; Wan, Andrew; Christie, Carolyn; Gaudreault, Jean; Derome, Denys; Johnston, Jeffrey E H; Sullivan, Joseph Leo; Doxas, Dimitrios; Gossage, David Mark; Levesque, Stephane; Grott, David; Walkington, Alec; Kinslow, Valerie; Dumouchel, Michael; Mahar, William V; Dyachkov, Yegor; Lambert, Frédéric; Chappell, Eric; Laing, David; Aldrich, Simon; Azar, Andree; Gauthier, Michael; Leclair, Jacqueline; Laimon, Sara; Robinson, Brian; Davidson, Thomas; Feltham, Scott O; Dobby, Timothy; Strauss, Axel; Bourget, Daniele; Gavrilova, Julia; Johnson, Alexander David; Plouffe, Helene; Jimenez, Carlos Alberto; Trottier, Jean-Nicolas; Mallette, Marcelle; Dardykina, Tatiana; Read, Alexander; Lemelin, Stéphane; Dominguez, Chloe; Moye, Felicia; Labelle, Dominique; Di Lauro, Ronald; Kennedy, Donald Leyland; Merkelo, Paul A; Hillis, Amy; Thompson, Geoffrey; Algie, Stephen; Kolomyjec, Joanne; Box, James; Devuyst, Russell; Zirbel, John; Baskin, Theodore; Desgagne, Alain; Forget, Normand; Freeman, Peter; Hutchins, Timothy; Kestenberg, Abe; Mangrum, Martin D; Hashimoto, Kyoko; Amirault, Steve; Clayton, Greg; Bolduc, Remi; Dean, Kevin; Hollins, Fraser; Lee, Ranee Y; Lozano, Francisco J; McCann, Christopher; Couture, Jocelyn; Haimovitz, Matt; Manker, Brian; Guimond, Claire; Antonio, Garry M W; Roy, Andre J; Lupien, Denise; Roberts, Richard Allen; Rager, Joshua; Sylvan, Sanford; Kutan, Aline; Popescu, Maria; Harboyan, Patil; Karlicek, Martin; Purdy, Winston; Fewer, Mark; Crowley, Robert; Dix, Trevor (Winter)
Prerequisite: MUIN 180
Restriction: Open to students entering directly from High Schools outside Quebec.
Music Professional Development : An introduction to the responsibilities and skills required of professionals in music; job options, contracts, professional organizations, freelancing.
Terms: Fall 2014
Instructors: Kestenberg, Abe (Fall)
Music Professional Development : Additional responsibilities and skills required of professionals in music.
Terms: Winter 2015
Instructors: Mativetsky, Shawn Eliot (Winter)
Musicianship : Rhythm and metre basic subdivisions and conducting patterns; intervals, chords, and scale patterns; non-modulating tonal melodies with treble and bass clefs; harmonic progressions emphasizing two-part outer voice structures.
Terms: Fall 2014, Winter 2015
Instructors: Mather, Pierrette; De Castro, Margaret Emily; Petit-Homme, Fredericka; Asly, Monica; Issiyeva, Adalyat (Fall) Asly, Monica (Winter)
Musicianship : Rhythm and metre mixed divisions and syncopations; triadic and seventh chord voicings and disjunct pitch collections; chromatically embellished melodies adding alto clef; simple modulating harmonic progressions emphasizing two-part outer voice structures.
Terms: Fall 2014, Winter 2015
Instructors: Mariner, Justin B; Asly, Monica (Fall) Mather, Pierrette; De Castro, Margaret Emily; Petit-Homme, Fredericka; Asly, Monica; Issiyeva, Adalyat (Winter)
Musicianship : Harmonic, melodic and rhythmic analysis at the keyboard through the study of rudiments, repertoire, chorale/score reading, transposition and harmonization.
Terms: Fall 2014, Winter 2015
Instructors: Davidson, Thomas; Kovacs, Jolan Ilona; Gavrilova, Julia; Krowicki, Marek; Vromet, Jonathan; Conquer, Geoffrey (Fall) Kovacs, Jolan Ilona (Winter)
Musicianship : Building chordal fluency. Harmonic vocabulary including sequences, chromaticism and modulation. Chorale and score reading with transposing instruments and alto/tenor clefs.
Terms: Fall 2014, Winter 2015
Instructors: Gavrilova, Julia; Kovacs, Jolan Ilona; McDonald, Mark (Fall) Davidson, Thomas; Kovacs, Jolan Ilona; McDonald, Mark; Conquer, Geoffrey; Vromet, Jonathan; Gavrilova, Julia (Winter)
1 hour
Prerequisite: MUSP 170
Corequisites: MUTH 111 and MUSP 131; or MUTH 151 and MUSP 141
Restriction: All students admitted to B.Mus. and L.Mus. programs, including those with keyboard or guitar as their principal instrument, are required to take MUSP 171 Keyboard Lab, unless exempt on the basis of a placement test. Students who are exempt from MUTH 111 through placement tests must still take MUSP 171 (unless exempt) since this course forms the foundation of keyboard-based musicianship tasks at upper levels. (All Majors in Jazz Performance substitute MUJZ 171 for MUSP 171. Students in Jazz Performance who have completed MUJZ 170 and MUJZ 171, and who transfer to a Department of Theory program, will be required to complete MUSP 171.) Students who do not achieve a continuation pass in MUSP 171 must reregister for the course in the semester immediately following. Students who do not achieve a continuation pass after repeating the course will not be allowed to proceed with further Musicianship or Theory studies until a continuation pass is achieved. Tests for MUSP 171 are held in August-September, December-January, and April-May [as well as during the Summer Session when course(s) offered], the exact dates determined by the Department of Music Research.
Course contents parallel with those of MUTH 151 and MUSP 141.
Music Theory and Analysis : Diatonic chords and harmonic progressions, focus on outer-voice framework, cadences, embellishments, building chordal fluency in common-practice tonality, applied chords.
Terms: Fall 2014
Instructors: Hasegawa, Robert (Fall)
Music Theory and Analysis : Sequences and modulation, chromatic vocabulary, analysis of simple theme types (sentence, period, hybrids) and fugal techniques.
Terms: Winter 2015
Instructors: Biamonte, Nicole (Winter)
49 credits of required Music courses distributed as follows:
25 credits of Music Education
11 credits of Theory
4 credits of Musicianship
3 credits of Music History
6 credits of Performance
25 credits:
Choral Techniques : Development of basic singing skills through group voice lessons, lectures, and Choral Lab performances. Emphasis will be on: text production, breathing, projection, clarity of vowels and consonants, the International Phonetic Alphabet, and definition of voice categories. Simple diagnostic teaching skills will be developed through observation of group voice lessons.
Terms: Winter 2015
Instructors: Feher, Irene (Winter)
General Music Techniques : Development of basic manual dexterity and rehearsal skills. Topics include: preparatory posture, establishing tempo, releases, simple duple and triple metre beat patterns, cueing, dynamics, fermata, transposition, terminology, score preparation, and listening.
Terms: Fall 2014, Winter 2015
Instructors: Cazes, Alain (Fall) Rice, Brian Edward (Winter)
General Music Techniques : Using child centered approaches such as Orff, Kodaly and Dalcroze, students will explore techniques and philosophies for cultivating musical understanding in children aged 6-12. Research related to musical development and the fostering of creativity will also be investigated. A field experience and curriculum organization component is included.
Terms: Winter 2015
Instructors: Boucher, Helene (Winter)
Instrumental Techniques : The fundamental techniques in performance of five common woodwind instruments, i.e., clarinet, flute, oboe, bassoon, and saxophone. Principles of sound production, historical development of the woodwinds, purchase of new and used instruments, maintenance and repairs, teaching procedures and reference materials.
Terms: Fall 2014, Winter 2015
Instructors: Freeman, Peter (Fall) Freeman, Peter (Winter)
Instrumental Techniques : The fundamental techniques in performance of five common brass instruments, i.e., trumpet, horn, trombone, baritone, and tuba. Principles of sound production, historical development of the brass, purchase of new and used instruments, maintenance and repairs, teaching procedures and reference materials.
Terms: Fall 2014, Winter 2015
Instructors: Dix, Trevor (Fall) Dix, Trevor (Winter)
Instrumental Techniques : The fundamental techniques in performance of percussion instruments commonly in use in symphonic bands and orchestras. Principles of sound production, historical development of the percussion, purchase of new and used instruments, maintenance and repairs, teaching procedures and reference materials.
Terms: Fall 2014, Winter 2015
Instructors: Mativetsky, Shawn Eliot (Fall) Mativetsky, Shawn Eliot (Winter)
Instrumental Techniques : Introduction to techniques for the development of school and community-based jazz programs. Topics will include: philosophy of jazz instruction, rhythm section, musical materials, techniques to develop improvisation and aural skills, jazz styles, score preparation, rehearsal techniques, and administration of jazz programs. Will include observation of rehearsals and coaching opportunities.
Terms: This course is not scheduled for the 2014-2015 academic year.
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
11 credits:
Music Theory and Analysis : Compositional resources of late 18th and early 19th century music. Analysis of forms common to the period c. 1770 - 1840, including Classical sonata forms in several media.
Terms: Fall 2014, Summer 2015
Instructors: Rusch, René (Fall) Wild, Jonathan (Summer)
Music Theory and Analysis : Expanded harmonic resources of the 19th century (e.g., advanced chromaticism including enharmonic reinterpretation and symmetrical division). Analysis of characteristic small and large forms. Writing and analytical skills with a goal toward perceiving how levels of musical structure interact.
Terms: Winter 2015, Summer 2015
Instructors: Wild, Jonathan; Rusch, René; Mariner, Justin B (Winter) Biamonte, Nicole (Summer)
Music Theory and Analysis : Exploration of 20th and 21st century organizations of pitch, rhythm, timbre etc. Written and analytical skills for the purpose of gaining insight into the compositional techniques and aesthetics of this repertoire.
Terms: Winter 2015, Summer 2015
Instructors: Hasegawa, Robert (Winter) Hasegawa, Robert (Summer)
3 hours
Prerequisite: MUTH 251
Music Theory and Analysis : An introduction to arranging techniques, and their application in settings for keyboard and choral resources. Materials include folksongs, carols, popular and originally composed melodies. The emphasis is on creative arrangement as opposed to transcription.
Terms: This course is not scheduled for the 2014-2015 academic year.
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
4 credits:
Musicianship : Rhythm and metre mixed divisions and two-part work; additional chordal voicings and pitch collections; melodies modulating to closely-related keys adding tenor clef; harmonic progression including applied chords; two-part keyboard-style passages.
Terms: Fall 2014, Winter 2015, Summer 2015
Instructors: Davidson, Thomas; Asly, Monica; Guzik, John W P (Fall) Asly, Monica (Winter) Asly, Monica (Summer)
Musicianship : Changing metres; chord voicings and atonal pitch collections; modulating tonal melodies and score reading of transposing instruments; harmonic progression including chromatic chords; two-part passages.
Terms: Fall 2014, Winter 2015, Summer 2015
Instructors: Asly, Monica (Fall) Davidson, Thomas; Asly, Monica; Guzik, John W P (Winter) Asly, Monica (Summer)
3 credits:
Music History and Literature : Examination of various periods and styles: e.g., central works from different traditions, the interaction of music and society, performance practice, and music's relation to other arts.
Terms: Fall 2014, Winter 2015, Summer 2015
Instructors: Whitesell, Lloyd (Fall) Huebner, Steven (Winter) Hatter, Jane (Summer)
6 credits:
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2014, Winter 2015
Instructors: Kolomyjec, Joanne; Box, James; Gaudreault, Jean; Martin, David R; Zirbel, John; Aldrich, Simon; Desgagne, Alain; Forget, Normand; Levesque, Stephane; Gavrilova, Julia; Hashimoto, Kyoko; Laimon, Sara; Mdivani, Marina; Zuk, Luba; Bibace, Kenneth; Clayton, Greg; Bolduc, Remi; Di Lauro, Ronald; Grott, David; Hollins, Fraser; Lozano, Francisco J; Dolin, Elizabeth; Haimovitz, Matt; Antonio, Garry M W; Lambert, Frédéric; Roy, Andre J; Roberts, Richard Allen; Rager, Joshua; Stevenson, Francois; Sullivan, Joseph Leo; White, Andre; Sylvan, Sanford; Popescu, Maria; Karlicek, Martin; Wan, Andrew; Fewer, Mark; Crowley, Robert; Dix, Trevor; Doxas, Dimitrios; Huang, Yai-Yun; Marandola, Fabrice; Hutchins, Timothy; McCann, Christopher; Jimenez, Carlos Alberto; Algie, Stephen; Purdy, Winston; Lupien, Denise; Mahar, William V; Devuyst, Russell; Mangrum, Martin D; Baskin, Theodore; Freeman, Peter; Kestenberg, Abe; Amirault, Steve; Couture, Jocelyn; Dean, Kevin; Johnston, Jeffrey E H; Boudreault-Sevadjian, Therese; Ducharme, Jérôme; Harboyan, Patil; Dyachkov, Yegor; Shuter, Cindy; Walkington, Alec; Laing, David; Lee, Ranee Y; Lambert, Michel; McNabney, Douglas; Manker, Brian; Turner, Dave; Poletaev, Ilya; Davidson, Thomas; Derome, Denys; Miller, Dennis; Swartz, Jennifer; Eriksson, Erik; Dumouchel, Michael; Christie, Carolyn; Yazdanfar, Ali; Strauss, Axel; Mallette, Marcelle; Gossage, David Mark; Dobby, Timothy; Beaudry, Pierre; Knox, Hank; Azar, Andree; Amirault, Greg G; Robinson, Brian; Chappell, Eric; Trottier, Jean-Nicolas; Petersen, Katherine; Gauthier, Michael; Feltham, Scott O; Maute, Matthias; McLean, Allan Robert; Peletsis, Anna; Read, Alexander; Lemelin, Stéphane; Loftus, Gili; Dardykina, Tatiana; Johnson, Alexander David; Bourget, Daniele; Leclair, Jacqueline; Moye, Felicia; Labelle, Dominique; Bluteau, Denis; Hillis, Amy; Novak, Bohdanna; Plouffe, Helene; Thompson, Geoffrey; Smith, Christopher; Merkelo, Paul A (Fall) Strauss, Axel; Gaudreault, Jean; Mangrum, Martin D; McLean, Allan Robert; Christie, Carolyn; Ducharme, Jérôme; Manker, Brian; Aldrich, Simon; Laimon, Sara; Bibace, Kenneth; Roy, Andre J (Winter)
Prerequisite: MUIN 181 or admission to the B.Mus. program by audition.
Practical Instrument : Practical instruction on an instrument or voice.
Terms: Fall 2014, Winter 2015
Instructors: Jimenez, Carlos Alberto; Knox, Hank; Haimovitz, Matt; Davidson, Thomas; McCann, Christopher; Popescu, Maria; Lozano, Francisco J; Krowicki, Marek; Mallette, Marcelle; Walkington, Alec; Hollins, Fraser (Fall) Doxas, Dimitrios; Huang, Yai-Yun; Marandola, Fabrice; Hutchins, Timothy; McCann, Christopher; Jimenez, Carlos Alberto; Algie, Stephen; Purdy, Winston; Lupien, Denise; Mahar, William V; Devuyst, Russell; Mangrum, Martin D; Baskin, Theodore; Freeman, Peter; Kestenberg, Abe; Amirault, Steve; Couture, Jocelyn; Dean, Kevin; Johnston, Jeffrey E H; Boudreault-Sevadjian, Therese; Ducharme, Jérôme; Harboyan, Patil; Dyachkov, Yegor; Shuter, Cindy; Walkington, Alec; Laing, David; Lee, Ranee Y; Lambert, Michel; McNabney, Douglas; Manker, Brian; Roy, Andre J; Turner, Dave; Poletaev, Ilya; Davidson, Thomas; Derome, Denys; Miller, Dennis; Swartz, Jennifer; Eriksson, Erik; Dumouchel, Michael; Christie, Carolyn; Yazdanfar, Ali; Strauss, Axel; Mallette, Marcelle; Gossage, David Mark; Dobby, Timothy; Beaudry, Pierre; Knox, Hank; Azar, Andree; Amirault, Greg G; Robinson, Brian; Chappell, Eric; Trottier, Jean-Nicolas; Petersen, Katherine; Gauthier, Michael; Feltham, Scott O; Maute, Matthias; McLean, Allan Robert; Smith, Tracy; Peletsis, Anna; Read, Alexander; Lemelin, Stéphane; Dardykina, Tatiana; Johnson, Alexander David; Dominguez, Chloe; Bourget, Daniele; Leclair, Jacqueline; Moye, Felicia; Labelle, Dominique; Bluteau, Denis; Hillis, Amy; Novak, Bohdanna; Plouffe, Helene; Thompson, Geoffrey; Merkelo, Paul A; Smith, Christopher; Kolomyjec, Joanne; Box, James; Gaudreault, Jean; Martin, David R; Zirbel, John; Aldrich, Simon; Desgagne, Alain; Forget, Normand; Levesque, Stephane; Gavrilova, Julia; Hashimoto, Kyoko; Laimon, Sara; Mdivani, Marina; Zuk, Luba; Bibace, Kenneth; Clayton, Greg; Bolduc, Remi; Di Lauro, Ronald; Grott, David; Hollins, Fraser; Lozano, Francisco J; Dolin, Elizabeth; Haimovitz, Matt; Antonio, Garry M W; Lambert, Frédéric; Roberts, Richard Allen; Rager, Joshua; Stevenson, Francois; Sullivan, Joseph Leo; White, Andre; Sylvan, Sanford; Popescu, Maria; Karlicek, Martin; Wan, Andrew; Fewer, Mark; Crowley, Robert; Dix, Trevor (Winter)
Prerequisite: MUIN 280
Practical Instrument : Assessment of student's progress in the practical area.
Terms: Fall 2014, Winter 2015
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
Exam details are to be found under Examinations and Goals in Practical Subjects in the Music Chapter of the University Calendar.
21 credits of complementary Music courses distributed as follows:
9 credits of Music Education
2 credits of Musicianship
6 credits of Music History
4 credits of Performance
3 credits, one of:
Instrumental Techniques : The fundamental techniques in performance of four common stringed instruments, i.e., violin, viola, cello, and bass. Principles of sound production on stringed instruments, historical development of the strings, purchase of new and used instruments, maintenance and repairs, teaching procedures and reference materials.
Terms: Winter 2015
Instructors: Keiser, Kari (Winter)
Instrumental Techniques : The fundamental techniques in guitar performance. Basic principles of beginning and intermediate pedagogy, sound production, historical development of the instrument, purchase of new and used instruments, maintenance and repair, and teaching materials and repertoire for solo and ensemble performance.
Terms: This course is not scheduled for the 2014-2015 academic year.
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
3 credits, one of:
Choral Techniques : The fundamental skills of choral conducting, including baton technique, score reading, and rehearsal procedures. Conducting materials will be selected from representative choral works.
Terms: Winter 2015
Instructors: Abbott, Patricia (Winter)
Instrumental Techniques : The fundamental skills of instrumental conducting, including baton technique, score analysis, and rehearsal procedures; conducting materials are selected from representative orchestral works.
Terms: Fall 2014, Winter 2015
Instructors: Cazes, Alain (Fall) Cazes, Alain (Winter)
3 credits, select EDEA 362 or any course with a prefix of MUIT or MUGT.
Arts Education : Coordination of musical perception and movement and development of communication skills that arise from this combination. Structured and improvised eurhythmic activities are used to explore the relationship between time, space and energy. Classroom applications are explored. No formal music training is required.
Terms: Summer 2015
Instructors: Boyle, Dale (Summer)
2 credits from:
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for strings.
Terms: This course is not scheduled for the 2014-2015 academic year.
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
Pre- or Co-requisite: MUSP 241
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for woodwinds.
Terms: This course is not scheduled for the 2014-2015 academic year.
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
Prerequisite: MUSP 241
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, articulation, voice-leading and sound texture for brass.
Terms: This course is not scheduled for the 2014-2015 academic year.
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
Prerequisite: MUSP 241
Musicianship : Extended tonal and post-tonal harmonic and contrapuntal structures, rhythmic practices of the 20th and 21st century, score reading.
Terms: Fall 2014, Winter 2015, Summer 2015
Instructors: Mariner, Justin B (Fall) Mariner, Justin B (Winter) Mariner, Justin B (Summer)
Prerequisite: MUSP 241
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on sight-reading, practical score analysis and focused learning methods.
Terms: This course is not scheduled for the 2014-2015 academic year.
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
Prerequisite: MUSP 241
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on intonation accuracy, rhythm, voice-leading and sound texture.
Terms: This course is not scheduled for the 2014-2015 academic year.
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
Prerequisite: MUSP 141
Musicianship : Principles of improvisation and ornamentation for music before 1800, including harmonic progressions and voice-leading and contrapuntal patterns for instrumentalists and singers, along with examples of ornamented vocal and instrumental works from 17th and 18th century sources.
Terms: This course is not scheduled for the 2014-2015 academic year.
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
Prerequisite: MUSP 241
Musicianship : Fundamental musicianship issues in the context of performance with an emphasis on polyrhythm.
Terms: Winter 2015
Instructors: Mativetsky, Shawn Eliot (Winter)
Prerequisite: MUSP 241
Musicianship : Choral sightsinging of mensural notation, with a focus on white notation c. 1420-1600. Development of basic fluency in the notation, interpretation of values in triple meter, addition of accidentals given the contrapuntal context as perceived aurally, Renaissance solmisation.
Terms: This course is not scheduled for the 2014-2015 academic year.
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
Prerequisite: MUSP 241
6 credits of courses with a MUHL or a MUPP prefix
4 credits from:
Ensemble : Vocal workshop for jazz musicians.
Terms: This course is not scheduled for the 2014-2015 academic year.
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
Ensemble : An ensemble of 8 to 12 voices specializing in early music. N.B. This ensemble may substitute as a Basic Ensemble in programs that specify Choral Ensemble, with Departmental approval.
Terms: Fall 2014, Winter 2015
Instructors: Kinslow, Valerie (Fall) Kinslow, Valerie (Winter)
4 hours
Prerequisite: Audition.
Ensemble : Open to singers and instrumentalists, this ensemble specializes in chamber music primarily of the Baroque era.
Terms: Fall 2014, Winter 2015
Instructors: Knox, Hank (Fall) Knox, Hank (Winter)
Ensemble : An ensemble of 16 voices performing challenging repertoire from the Renaissance to the present day. Since the expectation is a level of performance equivalent to a professional chamber ensemble, singers wishing to join this group should have had considerable ensemble experience, and advanced vocal and sight-reading skills.
Terms: This course is not scheduled for the 2014-2015 academic year.
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
4 hours
Prerequisite: Audition.
Note: May be taken instead of Choral Ensemble.
Ensemble : Large ensemble for wind instruments.
Terms: Fall 2014, Winter 2015
Instructors: Cazes, Alain (Fall) Cazes, Alain (Winter)
4-6 hours
Prerequisite: Audition
Ensemble : This ensemble will deal with the extensive repertoire of music which exists for small jazz orchestra (9-13 instruments).
Terms: Fall 2014, Winter 2015
Instructors: Trottier, Jean-Nicolas (Fall) Trottier, Jean-Nicolas (Winter)
Restriction: Open to Jazz Performance students only.
Ensemble : Students enrolling in Choral Ensembles will be assigned to one of the above groups.
Terms: Fall 2014, Winter 2015
Instructors: Ouimet, Francois; Hansen, Patrick (Fall) Ouimet, Francois (Winter)
4 hours
Prerequisite: Audition.
Section 001 Chamber Singers: a group of approximately 24 mixed voices which explores the a cappella repertoire of all periods as well as works with chamber accompaniment.
Section 002 Concert Choir: an ensemble of approximately 60 voices (S.A.T.B.) which performs the repertoire from all periods appropriate to a group of this size.
Section 003 University Chorus: a mixed chorus of approximately 100 which performs a variety of choral material including both traditional and popular selections.
Section 004 Women's Chorale: an ensemble of approximately 40 women stressing the fundamentals of singing and ensemble participation.
Ensemble : Ensemble for contemporary music - instruments and voice.
Terms: Fall 2014, Winter 2015
Instructors: Bourgogne, Guillaume (Fall) Bourgogne, Guillaume (Winter)
4 hours
Prerequisite: Audition.
Ensemble : Ensemble for orchestral instruments.
Terms: Fall 2014, Winter 2015
Instructors: Hauser, Rudolf-Alexius (Fall) Hauser, Rudolf-Alexius (Winter)
6 - 7 hours
Prerequisite: Audition.
9 credits of free electives
3 credits of non-music electives
Arts Education : This seminar along with First Field Experience (Music) serves as an orientation to the culture of the school and to teaching as a profession. Emphasis is on the general functioning of elementary and secondary schools. Topics include the role of the arts in the curriculum. Professional portfolios and professional competencies will be addressed.
Terms: Summer 2015
Instructors: Smith-Gilman, Sheryl (Summer)
Corequisite: EDFE 205
Arts Education : Professional competencies and final preparation of professional portfolios will be addressed. Summary of philosophical, theoretical and practical issues related to the profession of teaching.
Terms: Winter 2015
Instructors: Clarke, Ginette (Winter)
Corequisite: EDFE 407
Restriction: Students in B.Ed. in Music or Concurrent B.Ed. and B.Mus.
Arts Education : Preparation for Third Field Experience. Includes the study of music curriculum content and instructional approaches, classroom management issues, lesson planning and program development for elementary and secondary schools. Relevant professional competencies will be addressed, developed and assessed
Terms: Fall 2014
Instructors: Boucher, Helene; Lorenzino, Lisa Marie (Fall)
Arts Education : Preparation for Fourth Year Field Experience. Includes the study of music curriculum content and instructional approaches, classroom management issues, lesson planning and program development for elementary and secondary schools. Relevant professional competencies will be addressed, developed and assessed.
Terms: Winter 2015
Instructors: Lorenzino, Lisa Marie; Boucher, Helene (Winter)
Curriculum and Instruction : This English Exam for Teacher Certification is a MELS requirement for teaching in the Quebec English school system. Consists of a 2-hour exam designed to assess teacher candidates' competency in the language of instruction. Must be completed before the 3rd Field Experience. Students are permitted four attempts to pass. Students who do not pass after four attempts must withdraw from the teacher preparation program.
Terms: Fall 2014, Winter 2015, Summer 2015
Instructors: Galczynski, Mariusz (Fall) Galczynski, Mariusz (Summer)
Curriculum and Instruction : This course examines the organization of education in Quebec from various perspectives, including historical, political, social and legal. It aims to provide students with sufficient knowledge that they can begin the life-long learning process of a professional educator, aware of, and contributing to, the policy talk on school.
Terms: Fall 2014, Summer 2015
Instructors: Bordonaro, Tino (Fall) Burke, Noel C (Summer)
Restriction: Not open to students who have taken EDEM 405.
Elementary Education : The role of evaluation within kindergarten/elementary school programs. Topics include the kinds of information needed, different techniques for collecting that information, and ways of interpreting it to make educational decisions. Principles and a variety of methods for evaluation are discussed and practiced.
Terms: Fall 2014, Summer 2015
Instructors: Delaney, Christina Ryan; Pasquin, Lesley; May, Beverly; Smith-Gilman, Sheryl; Germano, Teresa (Fall) Delaney, Christina Ryan (Summer)
Secondary Education : Competency-based discipline skills and methods of classroom management, emphasizing the relationship between theory and practice; the rationale for various approaches to classroom management; strategies for developing instruction that focus attention and reduce off-task behaviour.
Terms: Fall 2014
Instructors: Howden, James; Lister, Jason; Wilcox, William Keith; Webster, Megan (Fall)
Student Teaching : Students are assigned to a school for a "participant observer" field experience. Students are expected to apprise themselves of Field Experience, dates, duration and responsibilities as outlined on the Office of Student Teaching website http://www.mcgill.ca/ost.
Terms: Summer 2015
Instructors: Benson, Fiona J (Summer)
Corequisite: EDEA 206
Student Teaching : Supervised student teaching in a school. Students are expected to apprise themselves of Field Experience, dates, duration and responsibilities as outlined on the Office of Student Teaching website http://www.mcgill.ca/ost.
Terms: Summer 2015
Instructors: Benson, Fiona J (Summer)
Student Teaching : Supervised student teaching in a school. Students are expected to apprise themselves of Field Experience, dates, duration and responsibilities as outlined on the Office of Student Teaching website http://www.mcgill.ca/ost.
Terms: Fall 2014
Instructors: Benson, Fiona J (Fall)
Student Teaching : Supervised student teaching in a school. Students will be expected to assume a much increased responsibility for student learning, classroom management, and evaluation. Students are expected to apprise themselves of Field Experience, dates, duration and responsibilities as outlined on the Office of Student Teaching website http://www.mcgill.ca/ost.
Terms: Winter 2015
Instructors: Benson, Fiona J (Winter)
Ed Psych & Couns (Psychology) : Selected theories, models, and concepts relevant to planning and reflecting upon educational practice and improvement. Overview of development, learning, thinking, motivation, individual difference, etc. In relation to applications in classroom teaching and learning, the complementary role of counsellors and psychologists, educational computing and technology. The Youth Protection Act.
Terms: Fall 2014, Winter 2015, Summer 2015
Instructors: Conrod, Scott; Birlean, Camelia; Vicaire, Marsha; Mueller, Caroline; Appignanesi, Gus (Fall) Conrod, Scott (Winter) Appignanesi, Gus (Summer)
Ed Psych & Couns (Psychology) : The purposes of examinations. Causes of complaints about examinations. Equalizing means and dispersions in distribution of marks. Standardized scores. The percentile system. Essay and objective-type examinations. Taxonomies of educational objectives. Validity and reliability: item analysis.
Terms: Fall 2014, Winter 2015
Instructors: Appignanesi, Gus (Fall) Jazvac Martek, Marian; Appignanesi, Gus (Winter)
Ed Psych & Couns (Inclusive) : Developing, planning, implementing and evaluating effective learning programs for diverse learners, and consideration of their more general applicability. Adapting curriculum and instruction for learners with varying abilities, learning styles, and needs. Collaboration with students, families, and other educators (or stakeholders) in the instructional process. Application of adaptations at the classroom and school level for all students in inclusive schools.
Terms: Fall 2014, Winter 2015, Summer 2015
Instructors: Finn Lefsrud, Casey; Saxe, Amanda; Hoida, David; Conrod, Scott; Erten, Ozlem (Fall) Macarthur, Judith (Winter) Saxe, Amanda (Summer)
Restriction: Open to B.Ed. students only
Also offered through Continuing Education.
Prerequisite: EDPE 300.
* Note: Students take either EDEE 355 or EDPE 304, but not both.
10 credits distributed as follows:
3 credits from:
Curriculum and Instruction : Study of First Nations and Inuit schools as diverse social, cultural, linguistic, political and pedagogical settings. Considers school and community minority-majority interactions and their influence on teaching and learning in educational settings. Examines how a teacher's personal practice can be influenced by an understanding of these factors.
Terms: This course is not scheduled for the 2014-2015 academic year.
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
Curriculum and Instruction : Introduction to theories about intercultural and multicultural education in Quebec and Canadian schools.
Terms: Fall 2014, Winter 2015
Instructors: Galczynski, Mariusz; Ghosh, Ratna (Fall) Smith, Donna Lee (Winter)
Curriculum and Instruction : A cross-curricular, interdisciplinary approach to teaching/creating learning experiences for students. It will foster critical thinking and nurture lifelong global understanding, active engagement and participation in relation to questions of social, economic, and environmental justice, by infusing these issues in the classroom.
Terms: Fall 2014
Instructors: Lewis, Lerona (Fall)
1 credit from:
Curriculum and Instruction : Preparation for the second field experience through development of basic practices in planning and teaching in elementary school classrooms. Competencies and working professional portfolios will be addressed.
Terms: Summer 2015
Instructors: Kennedy-Gaul, Marcia; May, Beverly; Kenworthy-Grant, Judy; Germano, Teresa (Summer)
Corequisite: EDFE 256 or EDFE 256D1
Restriction: Open to B.Ed.(K/Elem) students.
Curriculum and Instruction : Preparation for the second field experience through development of basic practices in planning and teaching in secondary school classrooms. Competencies and professional portfolio will be addressed.
Terms: Summer 2015
Instructors: Bourassa, Nicole Marie; Lister, Jason; Houston, Donald (Summer)
Corequisite: EDFE 254 or EDFE 254D1
Restrictions: Open to B.Ed. Sec and concurrent B.Sc. and B.Ed. students.
3 credits from:
Curriculum and Instruction : Ideas essential for the development of a coherent educational theory and sound professional practice. Reflections on: the nature of the person, of reality, of knowledge, and of value; the aims of education, the nature of the school and the curriculum, the roles and responsibilities of professional educators.
Terms: Fall 2014, Winter 2015
Instructors: White, Boyd Eric; Zanazanian, Boghos (Fall) White, Boyd Eric; McDonough, Kevin Michael (Winter)
Curriculum and Instruction : An exploration of the philosophy of Catholic education, and its relevance in the world today.
Terms: Fall 2014
Instructors: Di Pede, Robert (Fall)
3 credits from:
Curriculum and Instruction : Orientation to the equipment and systems of educational technology. Examination of theories of educational technology, media education and technology education and the exploration and development of possible applications in school settings.
Terms: Fall 2014, Winter 2015, Summer 2015
Instructors: Trimble, Lisa; Fullerton, Thomas James (Fall) Fullerton, Thomas James; Trimble, Lisa; Milton, George; DeMartini, Ashley (Winter) MacDonald, Courtney (Summer)
General Music Techniques : Introduction to the use of microcomputers and electronic music instruments in the music classroom and in individualized instruction. Topics include: computer-assisted instruction, MIDI, sequencing and notation software, hard disk recording, NICT, and object-oriented authoring software.
Terms: This course is not scheduled for the 2014-2015 academic year.
Instructors: There are no professors associated with this course for the 2014-2015 academic year.
3 hours