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Program Requirements
Applicants to the Performance program are expected to have a background in Music Theory equivalent to the B.Mus. in Performance. Applicants found to be deficient in their background preparation may be required to take certain additional music theory undergraduate courses.
The following program prerequisites may be assigned as additional required courses based on transcript review:
MUPD 560 - Introduction to Research Methods in Music
MUPG 272D1/D2 - Continuo.
Thesis Performance (27 credits)
18 credits:
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MUIN 620 Performance Tutorial 1 (3 credits)
Overview
Practical Instrument : Individual instrumental, vocal, conducting, collaborative piano or operatic tutorial. Technical and interpretive development, preparation of thesis performance projects.
Terms: Fall 2013, Winter 2014
Instructors: Mdivani, Marina; Guimond, Claire; Bergeron, Sylvain; Huang, Yai-Yun; Marandola, Fabrice; Hashimoto, Kyoko; Poletaev, Ilya; Forget, Normand; Christie, Carolyn; Levesque, Stephane; Zirbel, John; Roy, Andre J; Yazdanfar, Ali; Algie, Stephen; Kolomyjec, Joanne; Popescu, Maria; Boudreault-Sevadjian, Therese; Sylvan, Sanford; Beaudry, Pierre; Eriksson, Erik; Hauser, Rudolf-Alexius; Aldrich, Simon; Haimovitz, Matt; Dunn, Andrew; Merkelo, Paul A; McMahon, Michael; Kutan, Aline; Fewer, Mark; Lupien, Denise; Crowley, Robert; Swartz, Jennifer; Leclair, Jacqueline; Dolin, Elizabeth; Baskin, Theodore; Box, James; Hutchins, Timothy; Chappell, Eric; Dyachkov, Yegor; Robinson, Brian; Freeman, Peter; Strauss, Axel; Manker, Brian; Plouffe, Helene; Napper, Susan; Weman Eriksson, Lena; Beghin, Tom; Weimann, Alexander; Jarczyk, Jan; Cazes, Alain (Fall) Chappell, Eric; Strauss, Axel; Kolomyjec, Joanne; Kutan, Aline; Roy, Andre J (Winter)
Restriction: Not open to students who have taken MUPG 620
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MUIN 621 Performance Tutorial 2 (3 credits)
Overview
Practical Instrument : Additional individual instrumental, vocal, conducting, collaborative piano or operatic tutorial according to area of performing specialization.
Terms: Fall 2013, Winter 2014
Instructors: Hashimoto, Kyoko (Fall) Mdivani, Marina; Guimond, Claire; Bergeron, Sylvain; Marandola, Fabrice; Hashimoto, Kyoko; Poletaev, Ilya; Forget, Normand; Christie, Carolyn; Levesque, Stephane; Zirbel, John; Roy, Andre J; Yazdanfar, Ali; Algie, Stephen; Kolomyjec, Joanne; Popescu, Maria; Boudreault-Sevadjian, Therese; Sylvan, Sanford; Beaudry, Pierre; Eriksson, Erik; Hauser, Rudolf-Alexius; Aldrich, Simon; Haimovitz, Matt; Dunn, Andrew; Merkelo, Paul A; McMahon, Michael; Kutan, Aline; Fewer, Mark; Lupien, Denise; Crowley, Robert; Swartz, Jennifer; Leclair, Jacqueline; Dolin, Elizabeth; Baskin, Theodore; Box, James; Hutchins, Timothy; Chappell, Eric; Dyachkov, Yegor; Robinson, Brian; Freeman, Peter; Strauss, Axel; Manker, Brian; Plouffe, Helene; Napper, Susan; Weman Eriksson, Lena; Weimann, Alexander; Jarczyk, Jan; Cazes, Alain; Dominguez, Chloe; Beghin, Tom (Winter)
Restriction: Not open to students who have taken MUPG 621
-
MUIN 622 Performance Tutorial 3 (3 credits)
Overview
Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.
Terms: Fall 2013, Winter 2014
Instructors: Box, James; Dunn, Andrew; Zirbel, John; Guimond, Claire; Bergeron, Sylvain; Plouffe, Helene; Eriksson, Erik; Hashimoto, Kyoko; Mdivani, Marina; Poletaev, Ilya; Popescu, Maria; Sylvan, Sanford; Kolomyjec, Joanne; Algie, Stephen; Levesque, Stephane; Aldrich, Simon; Christie, Carolyn; Fewer, Mark; Lupien, Denise; Roy, Andre J; Haimovitz, Matt; Yazdanfar, Ali; Merkelo, Paul A; Chen, Jun-Yuan; Huang, Yai-Yun; Marandola, Fabrice; Kestenberg, Abe; Hutchins, Timothy; Leclair, Jacqueline; Crowley, Robert; Boudreault-Sevadjian, Therese; Robinson, Brian; Baskin, Theodore; Bolduc, Remi; Kutan, Aline; Dyachkov, Yegor; Swartz, Jennifer (Fall) Hashimoto, Kyoko; Poletaev, Ilya; Hauser, Rudolf-Alexius; Boudreault-Sevadjian, Therese; Forget, Normand; Roy, Andre J; Sylvan, Sanford; Huang, Yai-Yun; Marandola, Fabrice; Mdivani, Marina; Merkelo, Paul A; Bolduc, Remi (Winter)
Restriction: Not open to students who have taken MUPG 622
-
MUPG 600 Recital Project 1 (9 credits)
Overview
Performance : Solo recital, collaborative piano recital, conducting recital or principal Opera Role (by audition) with program notes.
Terms: Fall 2013, Winter 2014, Summer 2014
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
Restriction: Not open to students who have taken MUPG 660, MUPG 660D1/D2 or MUPG 665D1/D2
Solo recital (60-70 minutes), collaborative piano recital (60-70 minutes), conducting recital (30-40 minutes) or Principal Opera Role as defined by the American Guild of Musical Artists' website (), Lead, Schedule C
9 credits from:
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MUPG 601 Recital Project 2 (9 credits)
Overview
Performance : Solo recital, collaborative piano recital, conducting recital or principal opera role (by audition) with program notes. May include chamber music providing none of the repertoire was prepared in a chamber ensemble taken for credit.
Terms: Fall 2013, Winter 2014, Summer 2014
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
Restriction: Not open to students who have taken MUPG 667, MUPG 667D1/D2, MUPG 657 or MUPG 657D1/D2
Solo recital (60-70 minutes), collaborative piano recital (60-70 minutes), conducting recital (30-40 minutes) or principal opera role (by audition) as defined by the American Guild of Musical Artists' website (), Lead, Schedule C
-
MUPG 602 Recital Project 3 (6 credits)
Overview
Performance : Recital, conducting recital or featured opera role (by audition) with program notes.
Terms: Fall 2013, Winter 2014
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
Recital (30-40 minutes), conducting recital (20-30 minutes) or featured opera role (by audition) as defined by the American Guild of Musical Artists' website (), Featured, Schedule C
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MUPG 603 Recital Project 4 (3 credits)
Overview
Performance : Concerto performance with orchestra (for the concerto competition or other competition in Montreal) or supporting opera role (by audition) with program notes.
Terms: Fall 2013, Winter 2014
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
Supporting Opera Role as defined by the American Musical Artists' website (), Supporting, Schedule C
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MUPG 605 Recording Project (3 credits)
Overview
Performance : Recording project with liner notes.
Terms: Fall 2013, Winter 2014
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
Limited enrolment; admissions by proposal only and with approval of the Department; additional fees apply.
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MUPG 606 Interdisciplinary Project 1 (3 credits)
Overview
Performance : Research-creation involving collaboration between different disciplines resulting in a new work, interpretation or contribution to knowledge presented in public (i.e., performer-composer commission; performer and actor/dancer collaboration, subject in CIRMMT research study, etc) with program notes as relevant.
Terms: Winter 2014
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
Performer-composer composition of 5-10 minutes. By proposal only and with approval of the Department.
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MUPG 607 Interdisciplinary Project 2 (6 credits)
Overview
Performance : Research-creation involving collaboration between different disciplines resulting in a new work, interpretation or contribution to knowledge presented in public (i.e., performer-composer commission); performance and actor/dancer collaboration, participant as co-researcher in CIRMMT study including participation in analysis of data, etc.) with program notes as relevant.
Terms: Winter 2014
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
Performer-composer commission of 10-20 minutes. By proposal only and approval of the Department.
-
MUPG 676 Special Project in Church Music (9 credits)
Overview
Performance : Individualized project involving performance in church setting to include both organ performance and choral direction.
Terms: This course is not scheduled for the 2013-2014 academic year.
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
Required Course
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MUGS 605 Graduate Performance Colloquium
Overview
Graduate Faculty Music Courses : Participation in three professional development workshops or research colloquium approved by the department on topics such as performance pedagogy, academic teaching, music production, copyright, business, grantsmanship, etc. Students participate in each semester of residency until requirements have been met.
Terms: Fall 2013
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
Complementary Seminars (9 credits)
3 credits from the following:
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MUPP 690 Performance Practice Seminar 1 (3 credits)
Overview
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: This course is not scheduled for the 2013-2014 academic year.
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
3 hours
-
MUPP 691 Performance Practice Seminar 2 (3 credits)
Overview
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2013
Instructors: Weman Eriksson, Lena (Fall)
3 hours
-
MUPP 692 Performance Practice Seminar 3 (3 credits)
Overview
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2013, Winter 2014
Instructors: Leclair, Jacqueline (Fall) Leclair, Jacqueline (Winter)
3 hours
-
MUPP 693 Performance Practice Seminar 4 (3 credits)
Overview
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Fall 2013, Winter 2014
Instructors: Marandola, Fabrice (Fall) Chiasson, Rachelle A M (Winter)
3 hours
-
MUPP 694 Performance Practice Seminar 5 (3 credits)
Overview
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Winter 2014
Instructors: Mativetsky, Shawn Eliot (Winter)
3 hours
-
MUPP 695 Performance Practice Seminar 6 (3 credits)
Overview
Performance Practice : Seminar in performance practice. Topic varies by year.
Terms: Winter 2014
Instructors: Wapnick, Joel (Winter)
3 hours
One approved graduate 3-credit seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, or MUTH.
3 credits from the following:
-
MUHL 591D1 Paleography (1.5 credits)
Overview
Music History and Literature : The theory and practice of musical transcription for the period 1100 to 1600. Black modal notation, Franconian notation, French and Italian Ars Nova notation, Mannerism, white mensural notation, proportions, and lute and keyboard tablatures will be studied.
Terms: Fall 2013
Instructors: Cumming, Julie Emelyn (Fall)
1 hour
Prerequisites: MUHL 184 and MUHL 185 and MUTH 211 OR MUCO 240D1/D2 and MUSP 231 OR MUHL 286 and MUTH 250 and MUSP 241
Restriction: U3 honours students in History
Normally alternates with MUHL 529
Students must register for both MUHL 591D1 and MUHL 591D2
No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms
-
MUHL 591D2 Paleography (1.5 credits)
Overview
Music History and Literature : See MUHL 591D1 for course description.
Terms: Winter 2014
Instructors: Cumming, Julie Emelyn (Winter)
Prerequisite: MUHL 591D1
No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms
-
MUTH 602 Keyboard Modal Counterpoint (3 credits)
Overview
Music Theory and Analysis : Advanced study of polyphonic techniques of the renaissance period through written exercises, in-depth written case study, and improvised practice at the keyboard.
Terms: This course is not scheduled for the 2013-2014 academic year.
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
Prerequisite: MUTH 202 or equivalent
Restrictions: Open to graduate keyboardists in early music and organ or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.
-
MUTH 604 Keyboard Tonal Counterpoint (3 credits)
Overview
Music Theory and Analysis : Advanced study of polyphonic techniques of tonal music through written exercises, in-depth written case study, and improvised practice at the keyboard.
Terms: This course is not scheduled for the 2013-2014 academic year.
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
Prerequisite: MUTH 204 or equivalent
Restrictions: Open to graduate keyboardists only or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.
or one graduate 3-credit seminar approved by the Department.
Complementary Performance (9 credits)
9 credits from the following:
-
MUEN 560 Chamber Music Ensemble (1 credit) *
Overview
Ensemble : Ensemble for chamber music - various instruments.
Terms: Fall 2013, Winter 2014
Instructors: Chen, Jun-Yuan; Leclair, Jacqueline; Aldrich, Simon; Dunn, Andrew; Cazes, Alain; Strauss, Axel; McNabney, Douglas; Roy, Andre J; Dolin, Elizabeth; Haimovitz, Matt; Forget, Normand; Hashimoto, Kyoko; Shuter, Cindy; Kestenberg, Abe; Robinson, Brian; Yazdanfar, Ali (Fall) Kestenberg, Abe; Dolin, Elizabeth; Shuter, Cindy; Swartz, Jennifer; Hashimoto, Kyoko; Marchand, Jean; McNabney, Douglas; Dunn, Andrew; Chen, Jun-Yuan; Dyachkov, Yegor; Read, Alexander; Leclair, Jacqueline; Dumouchel, Michael; Aldrich, Simon; Christie, Carolyn; Strauss, Axel; de Caen, Kathleen; Arulanandam, Amahl; Robinson, Brian; Yazdanfar, Ali; Roy, Andre J (Winter)
-
MUEN 561 2nd Chamber Music Ensemble (1 credit) *
Overview
Ensemble : Chamber music of the Medieval, Renaissance and Baroque periods.
Terms: Fall 2013, Winter 2014
Instructors: Forget, Normand; McNabney, Douglas; Dolin, Elizabeth; Cazes, Alain (Fall) Dolin, Elizabeth; Weman Eriksson, Lena; MacMillan, Elizabeth H; Leclair, Jacqueline; McNabney, Douglas; Dunn, Andrew; Kestenberg, Abe; Arulanandam, Amahl; Aldrich, Simon (Winter)
1 hour
Prerequisite: Audition.
-
MUEN 573 Baroque Orchestra (2 credits) *
Overview
Ensemble : Open to singers and instrumentalists, this ensemble specializes in chamber music primarily of the Baroque era.
Terms: Fall 2013, Winter 2014
Instructors: Fewer, Mark; Weman Eriksson, Lena (Fall) Eriksson, Erik; Weman Eriksson, Lena (Winter)
-
MUEN 580 Early Music Ensemble (1 credit) *
Overview
Ensemble : An ensemble of 4-6 vocalists and instrumentalists which performs music of the Medieval, Renaissance and Baroque periods.
Terms: Fall 2013, Winter 2014
Instructors: Weman Eriksson, Lena; MacMillan, Elizabeth H; Jennejohn, Matthew Dixon; Kinslow, Valerie; Michaud, Natalie (Fall) Kinslow, Valerie; MacMillan, Elizabeth H; Beghin, Tom; Michaud, Natalie; Jennejohn, Matthew Dixon; Weman Eriksson, Lena (Winter)
Prerequisite: Audition. Prerequisite or corequisite for keyboard players: MUPG 272.
-
MUEN 593 Choral Ensembles (2 credits) *
Overview
Ensemble : Students enrolling in Choral Ensembles will be assigned to one of the above groups.
Terms: Fall 2013, Winter 2014
Instructors: Hansen, Patrick; Ouimet, Francois (Fall) Hansen, Patrick; Schubert, Peter N; Ouimet, Francois (Winter)
4 hours
Prerequisite: Audition.
Section 001 Chamber Singers: a group of approximately 24 mixed voices which explores the a cappella repertoire of all periods as well as works with chamber accompaniment.
Section 002 Concert Choir: an ensemble of approximately 60 voices (S.A.T.B.) which performs the repertoire from all periods appropriate to a group of this size.
Section 003 University Chorus: a mixed chorus of approximately 100 which performs a variety of choral material including both traditional and popular selections.
Section 004 Women's Chorale: an ensemble of approximately 40 women stressing the fundamentals of singing and ensemble participation.
-
MUEN 594 Contemporary Music Ensemble (2 credits) *
Overview
Ensemble : Ensemble for contemporary music - instruments and voice.
Terms: Fall 2013, Winter 2014
Instructors: Bourgogne, Guillaume; Gort, Cristian (Fall) Bourgogne, Guillaume; Gort, Cristian (Winter)
4 hours
Prerequisite: Audition.
-
MUEN 597 Orchestral Ensembles (2 credits) *
Overview
Ensemble : Ensemble for orchestral instruments.
Terms: Fall 2013, Winter 2014, Summer 2014
Instructors: Hauser, Rudolf-Alexius (Fall) Hauser, Rudolf-Alexius (Winter)
6 - 7 hours
Prerequisite: Audition.
-
MUHL 591D1 Paleography (1.5 credits) **
Overview
Music History and Literature : The theory and practice of musical transcription for the period 1100 to 1600. Black modal notation, Franconian notation, French and Italian Ars Nova notation, Mannerism, white mensural notation, proportions, and lute and keyboard tablatures will be studied.
Terms: Fall 2013
Instructors: Cumming, Julie Emelyn (Fall)
1 hour
Prerequisites: MUHL 184 and MUHL 185 and MUTH 211 OR MUCO 240D1/D2 and MUSP 231 OR MUHL 286 and MUTH 250 and MUSP 241
Restriction: U3 honours students in History
Normally alternates with MUHL 529
Students must register for both MUHL 591D1 and MUHL 591D2
No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms
-
MUHL 591D2 Paleography (1.5 credits) **
Overview
Music History and Literature : See MUHL 591D1 for course description.
Terms: Winter 2014
Instructors: Cumming, Julie Emelyn (Winter)
Prerequisite: MUHL 591D1
No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms
-
MUPG 672D1 Liturgical Improvisation (1.5 credits)
Overview
Performance : The study and practice of cantus firmus-based improvisation according to selected stylistic models so as to provide diversity of techniques, styles and tonalities. Free improvisation is studied in conjunction with C.F. improvisation. Modulation is taught in both C.F.-based and free improvisation; emphasis being placed on clarity and liturgical appropriateness.
Terms: This course is not scheduled for the 2013-2014 academic year.
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
1 1/2 hours
Students must register for both MUPG 672D1 and MUPG 672D2
No credit will be given for this course unless both MUPG 672D1 and MUPG 672D2 are successfully completed in consecutive terms
-
MUPG 672D2 Liturgical Improvisation (1.5 credits)
Overview
Performance : See MUPG 672D1 for course description.
Terms: This course is not scheduled for the 2013-2014 academic year.
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
Prerequisite: MUPG 672D1
No credit will be given for this course unless both MUPG 672D1 and MUPG 672D2 are successfully completed in consecutive terms
-
MUPG 674 Project in Choral Conducting (3 credits)
Overview
Performance : Development of advanced choral conducting techniques and rehearsal skills through application in the field under supervision of master choral conductor or church musician.
Terms: This course is not scheduled for the 2013-2014 academic year.
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
-
MUPG 679 Liturgical Improvisation 2 (3 credits)
Overview
Performance : Continuation of MUPG 672D1/D2 Liturgical Improvisation; Acquisition of skill in improvised counterpoint to the creation of versetti, short fugal pieces and chorale preludes in traditional styles; Thoroughbass practice in regard to shaping of harmonic progression and cantus firmus harmonization.
Terms: This course is not scheduled for the 2013-2014 academic year.
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
Prerequisite: MUPG 672D1/D2
Restrictions: Open to graduate organ students in the Organ and Church Music program and the Early Music program. Not open to students who have taken MUPG 678.
-
MUTH 602 Keyboard Modal Counterpoint (3 credits) **
Overview
Music Theory and Analysis : Advanced study of polyphonic techniques of the renaissance period through written exercises, in-depth written case study, and improvised practice at the keyboard.
Terms: This course is not scheduled for the 2013-2014 academic year.
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
Prerequisite: MUTH 202 or equivalent
Restrictions: Open to graduate keyboardists in early music and organ or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.
-
MUTH 604 Keyboard Tonal Counterpoint (3 credits) **
Overview
Music Theory and Analysis : Advanced study of polyphonic techniques of tonal music through written exercises, in-depth written case study, and improvised practice at the keyboard.
Terms: This course is not scheduled for the 2013-2014 academic year.
Instructors: There are no professors associated with this course for the 2013-2014 academic year.
Prerequisite: MUTH 204 or equivalent
Restrictions: Open to graduate keyboardists only or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.
* May be taken more than once.
** If not taken as a seminar.
Schulich School of Music—2013-2014 (last updated Aug. 21, 2013) (disclaimer)
