苹果淫院

Paul Yachnin

 Paul Yachnin
Contact Information
Phone: 
514-398-4400 Ext. 09349
Email address: 
paul.yachnin [at] mcgill.ca
Address: 

Arts-W 35
Arts Building
853 Sherbrooke Street West
Montreal, QC H3A 0G5
Canada

Group: 
Faculty Members
Position: 
Tomlinson Professor of Shakespeare Studies
Stream: 
Literature
Drama and Theatre
Specialization by geographical area: 
Great Britain
Specialization by time period: 
Early Modern
16th/17th-Century
Area(s): 
Drama
Creative Practice & Performance Studies
Critical Theory
Philosophical Approaches
Sociology of Literature
Areas of interest: 

Renaissance drama in English; sociology of literature and culture; publics and public making; history of conversion in multiple forms; law and literature; animalities; religion and literature; critical theory; textual editing; higher education policy and practice; public scholarship; Shakespeare; Ben Jonson; Thomas Middleton; John Donne; Michel de Montaigne.听

Biography: 

I am keenly interested in interdisciplinary, team-based, and public-facing scholarship on large questions around both public-making from early modernity to the present day and also multiple forms of individual and collective transformation. These areas of interest have gathered strength by way of two international, long-term projects that I directed鈥擬aking Publics (MaPs) and Early Modern Conversions. Both brought scholars and artists together into substantial collaboration, both fostered research and publication by 100+ young scholars, and both have produced scores of journal publications and books by individual authors and by groups of scholars. Both projects also engaged with people outside the academy.听MaPs鈥 ideas about the social life of art were featured on the CBC Radio IDEAS series, 鈥淭he Origins of the Modern Public.鈥 The Conversions project aired ideas and questions also with colleagues at CBC IDEAS; and we worked with artists at the Stratford Shakespeare Festival, the Guildhall School of Music and Drama, and Opera 苹果淫院.听

Among my own publications are the books, 鈥Stage-Wrights 鈥痑nd 鈥疶he Culture of Playgoing in Early Modern England鈥 (with Anthony Dawson), editions of鈥 Richard II鈥(with Dawson) and鈥 The Tempest (with JF Bernard) and co-edited books such as鈥 Making Publics in Early Modern Europe; 鈥Forms of Association; and Conversion Machines: Apparatus, Artifice, Body. I have co-authored many publications, both scholarly and policy essays, with graduate students. With Bronwen Wilson (Art History, UCLA), I edit an Edinburgh University Press book series, 鈥淓arly Modern Conversions.鈥 I also publish non-academic essays about Shakespeare and modern life such as 鈥淪exual Justice: Thinking with Shakespeare鈥 and 鈥淭ragedy as a Way of Life.鈥澨

For the past decade, I have worked on the reform of graduate education policy and practice. I recently wrapped up TRaCE 苹果淫院, which tracked the career pathways of 4,500 PhD grads from across all the faculties at 苹果淫院 and told the stories of more than 100 of them; I am presently leading an international PhD tracking and story-telling project called TRaCE Transborder.听

Degree(s): 

Ph.D. (Toronto)
M.Litt. (Edinburgh)
鈥嬧婤.A. (苹果淫院)

Curriculum vitae: 
Selected publications: 

Books

Making Publics in Shakespeare鈥檚 Playhouse.听Edinburgh: Edinburgh University Press, Forthcoming, 2024.

Conversion Machines: Apparatus, Artifice, Body. Ed. Bronwen Wilson and Paul Yachnin. Edinburgh: Edinburgh University Press, 2023.

Conversion Machines: Apparatus, Artifice, Body. Edited by Bronwen Wilson and Paul Yachnin

Shakespeare鈥檚 World of Words. Ed. Paul Yachnin. Arden Shakespeare. London: Bloomsbury, 2015.

Forms of Association: Making Publics in Early Modern Europe. Ed. Paul Yachnin and Marlene Eberhart. Amherst: University of Massachusetts Press, 2015.

Making Publics in Early Modern Europe: People, Things, Forms of Knowledge. Ed. Bronwen Wilson and Paul Yachnin. London and New York: Routledge, 2010; paperback, Routledge, 2011.

Shakespeare and Character: Theory, History, Performance, and Theatrical Persons. Ed. Paul Yachnin and Jessica Slights. London: Palgrave, 2009.

Shakespeare and the Eighteenth Century. Ed. Peter Sabor and Paul Yachnin. London: Ashgate, 2008.

Shakespeare and the Cultures of Performance. Ed. Paul Yachnin and Patricia Badir. London: Ashgate, 2008.

The Culture of Playgoing in Shakespeare鈥檚 England: A Collaborative Debate. With Anthony Dawson. Cambridge: Cambridge University Press, 2001; paperback, Cambridge University Press, 2005.

Stage-wrights: Shakespeare, Jonson, Middleton and the Making of Theatrical Value. Philadelphia: University of Pennsylvania Press, 1997.

Editions

The Tempest. Broadview Press and Internet Shakespeare Editions. Co-edited with JF Bernard. Broadview Press, 2021.

Richard II. Oxford Shakespeare. Co-edited with Anthony Dawson. Oxford: Oxford University Press, 2011.

Meeting of Gallants at an Ordinary and Plato's Cap. In The Complete Works of Thomas Middleton. Ed. Gary Taylor and John Lavagnino. Oxford: Oxford University Press, 2008.

Book Chapters and Articles

Chapters (Selected)

鈥淗uman Conversion Machines: Hamlet and Others.鈥 In Conversion Machines: Apparatus, Artifice, Body. Ed. Bronwen Wilson and Paul Yachnin. Edinburgh: Edinburgh University Press, forthcoming.

鈥淜indness: Animal Virtue in The Tempest.鈥 In Shakespeare and Virtue: A Handbook. Ed. Julia Reinhard Lupton and Donovan Sherman. Cambridge: Cambridge University Press, forthcoming 2021.

鈥淐onversional Economies: Thomas Middleton鈥檚 Chaste Maid in Cheapside.鈥 In Performing Conversion: Cities, Theatre and Early Modern Transformations. Ed. Jos茅 R. Jouve-Mart铆n and Stephen Wittek. Edinburgh: Edinburgh University Press, 2021. 154-71.

鈥淔reedom from Debt: The Economies of The Tempest.鈥 In Crossroads of Knowledge in Early Modern Europe. Ed Subha Mukherji. London: Palgrave, 2020. 239-60.

鈥淪hylock, Conversion, Toleration.鈥 In Imagining Religious Toleration. Ed. Alison Conway and David Alvarez. Toronto: University of Toronto Press, 2019. 18-34.

鈥淭he Laws of Measure for Measure.鈥 In Shakespeare and Judgment. Ed Kevin Curran. Edinburgh: Edinburgh University Press, 2017. 139-56.

鈥淭he Publicity of the Look: Cymbeline and the Visual Field.鈥 In Shakespeare in our Time: A Shakespeare Association of America Companion. London: Bloomsbury, 2016. 277-85.

鈥淪lips of Wilderness: Verbal and Gestural Language in Measure for Measure." With Patrick Neilson. In Shakespeare鈥檚 World of Words. London: Bloomsbury, 2015. 187-210.

鈥淎fterword: Richard Helgerson and Making Publics.鈥 In Forms of Association: Making Publics in Early Modern Europe. Amherst: University of Massachusetts Press, 2015. 289-311.

鈥淭he Reformation of Space in Shakespeare鈥檚 Playhouse.鈥 In Making Space Public in Early Modern Europe: Performance, Geography, Privacy. Ed. Angela Vanhaelen and Joseph P. Ward. London and New York: Routledge, 2013. 262-80.

鈥淧laying with Space: Making a Public in Middleton鈥檚 Theatre.鈥 In A Handbook of Middleton Studies. Ed. Gary Taylor and Trish Thomas Henley. Oxford: Oxford University Press, 2012. 32-46.

鈥淪hakespeare鈥檚 Public Animals.鈥 In Humankinds: The Renaissance and its Anthropologies. Ed. Andreas H枚fele and Stephan Laqu茅. Berlin, New York: De Gruyter, 2011. 185-98.

鈥淭he Well-Hung Shrew.鈥 Co-authored with Jennifer Shea. In Ecocritical Shakespeare. Ed. Lynne Bruckner and Dan Brayton. London: Ashgate Press, 2011. 105-22.

鈥淪hakespeare and the Spaces of Publicity.鈥 Opinion publica y espacio urbano en la Edad Moderna. Ed. Carmen Serrano Sanchez. Gijon: Ediciones Trea, 2010. 15-24.

Hamlet and the Social Thing in Early Modern England.鈥 In Making Publics in Early Modern Europe: People, Things, Forms of Knowledge. Ed. Bronwen Wilson and Paul Yachnin. London and New York: Routledge, 2010. 81-95.

鈥淓ating Montaigne.鈥 In Reading Renaissance Ethics. Ed. Marshall Grossman. New York and London: Routledge, 2007. 157-72.

Articles (Selected)

鈥淪hakespeare鈥檚 Gifts: Commerce, Conversation, Conversion.鈥 Shakespeare Studies, forthcoming.

鈥淪hame and Solidarity in the Sonnets.鈥 Shakespeare Quarterly, 74.1 (Spring 2023): 37-48.

鈥.鈥 In A Universe of Terms. The Immanent Frame, December 2019.

鈥淪cholarship at the Edge of Doom.鈥 English Literary Renaissance, 50 (2019): 161-72. Invited essay to celebrate 50th anniversary of ELR.

鈥.鈥 The Immanent Frame, May 7 2018.

鈥淩ejoicing in the Law: The Performance of Authorship in A View from the Bridge."听Zeitschrift f眉r Anglistik und Amerikanistik 60.1 (2012): 77-89.

鈥淧erforming Publicity.鈥 Shakespeare Bulletin 28 (2010): 201-20.

With Desmond Manderson. 鈥Shakespeare and Judgment: The Renewal of Law and Literature.鈥 The European Legacy, 15 (2010): 195鈥213.

鈥溾橳he Perfection of Ten鈥: Populuxe Art and Artisanal Value in Troilus and Cressida."听Shakespeare Quarterly, 56 (2005): 306-25.

With Desmond Manderson. 鈥淟ove on Trial: Nature, Law, and Same-Sex Love in the Court of Shakespeare.鈥 苹果淫院 Law Journal 49 (2004): 475-511.

鈥淭he Jewish King Lear: Populuxe, Performance, and the Dimension of Literature.鈥 Shakespeare Bulletin 21.4 (Winter 2003): 5-18.

鈥淩eversal of Fortune: Shakespeare, Middleton, and the Puritans.鈥 ELH 70 (2003): 757-86.

"Magical Properties: Vision, Possession, and Wonder in Othello." Theatre Journal 48 (1996): 197-208.

"Personations: The Taming of the Shrew and the Limits of Theoretical Criticism."Early Modern Literary Studies 2.1 (1996): 2.1-31.

"Shakespeare's Politics of Loyalty: Sovereignty and Subjectivity in Antony and Cleopatra." Studies in English Literature 33.2 (Spring 1993): 343-63.

"The Politics of Theatrical Mirth: A Midsummer Night's Dream, A Mad World, My Masters, and Measure for Measure." Shakespeare Quarterly 43.1 (Spring 1992): 51-66.

Public Scholarship and Policy Publications听(Selected)

鈥淪hakespeare the Weaver.鈥 Teaching Shakespeare, 23 (Summer 2023). Forthcoming.

鈥.鈥 苹果淫院 Friends of the Library Shakespeare Lecture. Moderator/conversation partner with Paul Gross and Kimberley Rampersad. 苹果淫院. January 16 2023. Live and online.

鈥.鈥 Siminovitch Forum, with Renaltta Arluk and Kimberly Rampersad, hosted by Beck Lloyd. September 23 2022. Online.

. Vancouver Art Gallery. January 26, 2022. Online.

鈥.鈥 In conversation with Paul Budra. Bard on the Beach. Oct 2 2021.

鈥淢aking it Big in a Small Room.鈥 Globe Magazine, Autumn 2021.

鈥淎fter the Plague.鈥 Globe Magazine, Summer 2021.

. Canadian Council of Academies. Released January 26 2021.

鈥.鈥 The Conversation, November 2 2020.

  • , November 3 2020.

鈥.鈥 University Affairs, September 30 2020.

鈥.鈥 The Conversation, April 5 2020.

鈥.鈥 The Conversation, January 7 2020.

With Hannah Korell. 鈥.鈥 The Conversation, November 5 2019.

鈥.鈥 University Affairs, October 9 2019.

鈥淪exual Justice: Thinking with Shakespeare.鈥 Queen鈥檚 Quarterly, Fall 2019, 327-41.

鈥淒ream-Work in the House that Shakespeare (and Joss Whedon) Built.鈥 Queen鈥檚 Quarterly, Winter 2019, 2-13.

鈥淪hakespeare and the Beauty of War.鈥 Queen鈥檚 Quarterly, Fall 2018, 327-39.

鈥淭ragedy as a Way of Life.鈥 Queen鈥檚 Quarterly, Spring 2018, 7-19.

鈥淎lzheimer鈥檚 Disease: What would Shakespeare do?鈥 Queen鈥檚 Quarterly, Winter 2018, 487-99.

鈥.鈥 With Eliza Bateman and Catherine Nygren. University Affairs, March 14 2017.

With Desmond Manderson. 鈥.鈥 Cogent Arts & Humanities, November 2016.

鈥溾 Humanities 2016, 5(2), May 18 2016.

鈥淩ethinking the Humanities PhD.鈥 University Affairs, April 2015.

鈥淢aking Scholarship Public: Collaboration and Interdisciplinarity in Early Modern Studies.鈥 Renaissance and Reformation, 37 (2014): 115-29.

With Leigh Yetter. 鈥淭he Future of the PhD in the Humanities.鈥 Policy Options, Nov-Dec 2014.

Lead author. . Dec 2013.

Presentations

Plenary/Keynote Presentations (Selected)

鈥淪hakespeare鈥檚 Reformations: Thinking with Conversion.鈥 Annual Collins Lecture. University of Massachusetts, Amherst. April 23 2019.

鈥'Covering for this Naked Soul:'听King Lear and the Nature of Conversion.鈥 Renaissance Conversions: Concepts, Contexts, Practices. University of Lausanne. Organized by CUSO鈥擟onf茅rence Universitaire de Suisse Occidentale. November 17 2018.

鈥淭hinking with Conversion in Shakespeare鈥檚 Playhouse.鈥 Annual Renaissance Lecture. Centre for Medieval and Early Modern Studies. University of Kent. Canterbury. October 11 2018.

鈥淐onverting Conversion in Shakespeare and Middleton: Theatre, Religion and the Transformation of Knowledge.鈥 Change and Exchange: A Colloquium. Trinity Hall, University of Cambridge, April 29-30 2016.

鈥淟ear鈥檚 Conversions of Kind: Moving Minds and Souls in Shakespeare.鈥 Moving Minds: Converting Cognition and Emotion in History. Macquarie University, Sydney, Australia, March 2-4 2016.

鈥淭he Public Life of the Law in Shakespeare鈥檚 Theatre.鈥 Shakespeare and the Public Symposium. Humanities Research Centre at the Australian National University, Feb 17-18 2016.

鈥淎 Midsummer鈥檚 Dream of the Public Sphere.鈥 Early Modern Studies Conference. University of Reading, July 12-14 2012.

鈥淧ublic Dreams.鈥 鈥淪hakespearean Reverie鈥 Symposium. University of Southern Queensland, Toowoomba, Australia, October 6-8, 2011.

鈥淧ublic Animals.鈥 Discours sur les formes du vivant : La renaissance 脿 la crois茅e des 茅critures. Figures animales du sujet humain. Bordeaux, November 28 2009.

鈥淪eeing, Judging, Making Space Public.鈥 Symposium on 鈥淭heatre and the Reformation of Space in Early Modern Europe.鈥 Folger Shakespeare Library, October 30 2009.

鈥淪hakespeare鈥檚 Public Animals.鈥 Humankinds: The Renaissance and its Anthropologies. Munich, July 16-18 2009.

鈥淪hakespeare and the Spaces of Publicity.鈥 La Ciudad de Las Palabras: Opini貌n P霉blica y Espacio Urbano en la Edad Moderna. Universidad de Alcal谩, Spain. April 28-30, 2008.

鈥淭he 苹果淫院 Shakespeare Moot Court.鈥 With Desmond Manderson. Shakespeare and the Law Conference. University of Warwick. July 9-11, 2007.

Policy Presentations听(Selected)

Expert panelist. 鈥.鈥 Webinar put on by Interfolio. April 27 2023.

鈥淭he TRaCE Transborder Project: How Story-Telling can Change Graduate Education.鈥 Consejo Mexicano de Estudios de Posgrado. 34o Congresso Nacional de Posgrado y Expo-Posgrado. Online. Sept 8 2021.

鈥淭he Future of the Humanities PhD: Two Questions.鈥 Cultural Heritage 360 Workshop. University of Durham. Online. July 21 2021.

鈥.鈥 A Building 21, 苹果淫院 Symposium.鈥 October 27 2020.

芦 Comment 茅chapper 脿 l'卯le enchant茅e de l'Acad茅mie: am茅liorer la mobilit茅 professionnelle des doctorants en sciences humaines. 禄 Opening keynote. Journ茅es d鈥櫭﹖ude et assembl茅e g茅n茅rale de l鈥橝ssociation des facult茅s et 茅tablissements de lettres et sciences humaines. Universit茅 du Qu茅bec 脿 Montr茅al. November 6 2019.

鈥淲hy humanity needs the humanities now: Five ways to move the humanities into public space and public action.鈥 University of British Columbia. October 24 2019.

Presenter and co-organizer. With Joshua Lambier (co-organizer), Thomas Peace, and Sandra Lapointe. 鈥淏ecoming a Public Scholar: Community Engagement and the Future of the Humanities.鈥 Congress of the Humanities and Social Sciences. Regina. May 28 2018.

芦 Le doctorat en sciences humaines : d茅fis et opportunit茅s. 禄 ACFAS. Chicoutimi, May 8 2018.

With Scott Krawczyk. Public Humanities and Beyond: A forum for graduate students and faculty to explore diverse careers in the humanities. Georgetown University. March 16 2018.

鈥淭echnologies and Generations.鈥 With Andrew Piper. The Challenge of Transformation: Lifelong Learning and Living in the 21st Century. A day-long symposium. 苹果淫院, November 3 2017.

鈥淎 Wild Dedication to Unpath鈥檇 Waters, Undream鈥檇 Shores.鈥 Plenary. Future of the PhD in Humanities Conference. Carleton University, Ottawa, May 17-18 2016.

With Desmond Manderson. 鈥淪hakespeare and Pedagogy: The Humanities, Pure and Applied.鈥 Shakespeare and the Public: A Symposium. Humanities Research Centre, Australian National University, Canberra, February 18 2016.

鈥淧ublic Skills.鈥 Conference: Future of the PhD in the Arts: Changing conditions for graduate education in the Humanities, Social Sciences, and Fine Arts. University of Alberta. March 20-21 2015.


Public Scholarship Presentations (Selected)

鈥.鈥 With Colm Feore, Jessica B. Hill, Randall Martin, and Geoffrey Sigalet. CBC Ideas. April 2 2021.

鈥淩econciling Religion.鈥 With David Seljak (Religious Studies, University of Waterloo) and moderator Karin Wells (journalist and documentarian). Meighan Forum, Stratford Shakespeare Festival. September 25 2019.

鈥淭able Talk: Coriolanus.鈥 With Mikaela Davies (Assistant Director, Coriolanus; Director, Robert Lepage). Stratford Shakespeare Festival. July 10 2018.

Organizer and presenter. 鈥淧laying for Free A workshop performance based on The Tempest." Collaboration of the School of Performance at Ryerson University, the Stratford Shakespeare Festival, and the Early Modern Conversions Project. Ryerson University, Toronto. February 1-2 2018.

Organizer and lead presenter. 鈥淐onverting Sounds.鈥 A three-day workshop, culminating with a workshop performance, based on Much Ado about Nothing and a Much Ado opera-in-progress. A collaboration of the Guildhall School of Music and Drama, Opera 苹果淫院, and the Early Modern Conversions Project. Guildhall School, London, June 5-7 2017.

鈥淭he Sublime Power of Conversion.鈥 Lobby Talk, Stratford Shakespeare Festival. S June 23 2016.

鈥淚s Shakespeare Still Relevant?鈥 Interview and call-in show, CBC Radio Montreal. April 22 2016.

鈥淐hanging Kate: The Taming of the Shrew.鈥 With Patricia Badir and Deborah Hay. Stratford Shakespeare Festival Forum. June 14 2015.

Souls under Pressure: King Lear. With Torrance Kirby and Colm Feore Stratford Shakespeare Festival Forum. August 17 2014.

鈥淪hakespeare鈥檚 Leading Women: What the World鈥檚 Greatest Playwright can Teach us about Leadership.鈥 With Lucy Peacock. International Leadership Association鈥15th Annual Global Conference. Montreal, Nov 1 2013.

鈥淭he Enchanted Island.鈥 Workshop at C2-MTL. Montreal, May 22 2013.

鈥淎 World Coming Out: Shakespeare and the Public Life of Literature.鈥 Inaugural Dean of Art's Public Lecture, University of Southern Queensland, Toowoomba, Australia, October 8 2011.

Macbeth in Hell: A Cabaret. With Paul Hopkins and Matthias Maute. Festival Baroque Montreal, June 26 2011.

鈥淟'effet Hamlet: Comment Shakespeare a fa莽onn茅 la vie publique de la Renaissance,鈥 Les Belles Soir茅es, Universit茅 de Montr茅al, 5 novembre 2010.

Awards, honours, and fellowships: 

(Selected)

  • Fellowship, Humanities Research Centre, Australian National University, Canberra, 2016.
  • Fellowship, Folger Shakespeare Library, Washington, D.C., 2009.
  • President of the Shakespeare Association of America, 2009-10
  • Friends of the Library 鈥淔riend of the Year,鈥 苹果淫院, 2007-08.
  • Arts Undergraduate Society, 苹果淫院, Teacher of the Year, 2004-05.

Research grants (Selected)

  • SSHRC Partnership Grant Early Modern Conversions: Religions, Cultures, Cognitive Ecologies 2013-19
  • SSHRC Connection Grant TRaCE鈥擳rack, Report, Connect, Exchange:Transforming Humanities Graduate Education for the Future of Canada 2015-16
  • SSHRC Connection Grant Future Humanities: Transforming Graduate Studies for the Future of Canada 2015
  • FQRSC Shakespeare鈥檚 World of Words 2006-10
  • MCRI program of SSHRC Making Publics: Media, Markets, and Association in Early Modern Europe, 1500-1700 2005-10
Graduate supervision: 

It is a privilege and an education to work with graduate students on their questions and ideas around early modern literature, race, gender, religion, law, and culture, forms of conversion of all kinds, and how works of art and intellect are able to reimagine and thereby recreate the forms of social and political life.

Taught previously at: 

University of Toronto
Wilfrid Laurier University
University of British Columbia

Back to top