苹果淫院

After graduating from 苹果淫院 in 1970, Bruce Allan embarked on a long, successful career as a Montreal-based architect, working on projects around the world.

One of the constants in his life was a love of his alma mater.

Allan, BArch鈥�70, BSc (Arch)鈥�70, who passed away on October 29, 2022, served as a guest critic, and then guest lecturer at 苹果淫院鈥檚 Peter Guo-hua Fu School of Architecture, delivering unforgettable lectures in the Professional Practice course. He also led the fundraising efforts of his Class of 鈥�70 in support of 苹果淫院.

In the final year of his life, Allan established an endowed fellowship at the School through a generous $400,000 gift. The E. Bruce Allan Fellowship will be awarded annually in perpetuity to a 苹果淫院 architecture student at the graduate level, giving preference to those who are from or who are studying the Canadian North and Indigenous Communities.

鈥淚 am so grateful for the connections I鈥檝e made over the years,鈥� Allan told 苹果淫院 when he called to arrange the Fellowship. 鈥淚鈥檝e always wanted to show my appreciation for the education I received at 苹果淫院. And I want to play my part in contributing to the future 苹果淫院, and to the School of Architecture.鈥�

From Expo 鈥�67 to architect and partner at ARCOP

Allan was 17 when he arrived at 苹果淫院鈥檚 School of Architecture in 1964. A kid from suburban Beloeil on Montreal鈥檚 South Shore, he would come to the city for dentist appointments and Christmas shopping. In 1966, he spent over an hour getting from Beloeil to the ARCOP architecture firm in Montreal鈥檚 west end, where he鈥檇 applied to be a 蝉迟补驳颈猫谤别 (intern). Almost half of his pay went to public transit, but what an experience it turned out to be!

It was a fortuitous time to be an architecture student in Montreal.

鈥淭hat summer, I was tasked with putting together a mock-up of the ,鈥� Allan said in a recording for M茅moires des Montr茅alais in 2017, reflecting on the experience of working on the project for the world鈥檚 fair held in Montreal that year. 鈥淏ack then, there were no digital 3D renditions. I was working with sheets of carton and the model ended up being eight feet long and four feet high. There were no straight lines in its construction, which made it entirely different from anything I鈥檇 studied. It was a structure that would have no heat, that was not built to last. Its location would be in a public space, surrounded by all kinds of other new architecture.

鈥淚t was remarkable that I didn鈥檛 have to go anywhere else in the world to be able to see so many ideas that had been developed from their beginnings as models 鈥� like the one I was working on 鈥� to buildings that started appearing on the city鈥檚 skyline the following spring, buildings I saw as I crossed the Victoria Bridge.鈥� For Allan, the experience started a bank of innovative ideas that collected in his head and that he drew upon for designs throughout his career.

Allan enjoyed a thriving career as an architect and partner at ARCOP (now Architecture49). He worked on projects around the world 鈥� in Asia, the Middle East and North America, including Iqualuit in Canada鈥檚 far north.

In 1997, Allan was the lead architect designer for the . Throughout the project, he encouraged the use of themes inside and out that would evoke a traditional sense of community, while striving for a shape that was technically suitable for the harsh Arctic environment.

Allan consulted with Iqaluit architect Keith Irving from the outset of the project. When the building was unveiled, it was said to create a space that would distinguish itself with its respect for the majority Inuit culture of Nunavut.

David Covo, Bruce鈥檚 contemporary as well as Associate Professor and Past Director (1996-2007) of the School of Architecture, recalls how Allan鈥檚 Professional Practice course lectures were meticulously prepared and beautifully illustrated. Allan shared his passion and delight with students as well has his optimism about their futures.

Allan joined the Faculty of Engineering鈥檚 Faculty Advancement Board in 2014 and served on the board representing the School of Architecture until just prior to his death. He contacted 苹果淫院 shortly after he learned his cancer had returned. He was grateful for his 苹果淫院 connections, and wanted to make a gift to celebrate what he felt was the unique character of 苹果淫院, and the teaching he received that he so greatly respected.

鈥淚n all the best senses of the word,鈥� says David Theodore, the Peter Guo-hua Fu School of Architecture鈥檚 present Director, 鈥淏ruce was a friend. He鈥檚 been our advocate and champion, linking the School to the Faculty, to our alums, and to the architectural profession. When we sat down to talk about a donation, he spoke proudly of his firm鈥檚 work on the Legislative Building of Nunavut in Iqaluit, which is how we arrived at the idea to support students studying the north or from the north. Bruce鈥檚 donation helps us keep alive the honourable values he lived by.鈥�